Hunting Wild as a Novella

The Lady and the Unicorn, Musée National du Moyen Age, Cluny Museum, Paris

A year and a half ago, I wrote a short story and posted it on my blog here.

I’d intended it to be flash fiction – under 1000 words – like the other flash fiction histories I’d created about the empire of Giralliya (in my North-lands).

“Hunting Wild” went long – to 6,000 words – but I posted it anyway. It was a cool story. I wanted readers to see it!

And readers did see it!

At least one urged me to continue writing and posting these “fairy tales” from the past of my fictional world.

I wanted to do so, but I must confess that the 6,000-word length of “Hunting Wild” daunted me. With another dozen of flash fiction titles on my to-be-written list, I certainly had the inspiration.

But what if they all went long?

In fact, I could sense that the next three – at least – would go long.

What to do? What to do?

I pondered the matter off and on. And wrote a lot of other blog posts. Then, last December, I realized that my dilemma was really not one.

Nunc Dimittis, detail from medieval tapestry in the Burrell Collection in Glasgow“Hunting Wild” was long enough to publish as an ebook on Amazon and with other online booksellers. (Unlike the flash fiction pieces, which were too short for that.) Why not do so?

Why not, indeed!

I could publish “Hunting Wild” and “Fairest Trickery” and “Aegis” as ebooks.

After the holidays, in January, I pulled out my manuscript and looked it over.

Well, it was still a cool story, but – to my now more developed storyteller’s eye – it looked like it was missing a scene or two.

No problem. I could easily write the “missing” scenes and weave them into the story. I set to work. It was fun!

But after writing two new scenes and meshing them into the existing manuscript, it was clear that I needed to write two more scenes.

Can you see where this is going?

I’m closing in on my revision now, but in all I’ve written 7 new scenes, requiring 11,000 new words. Whew! That took a little more time and energy than I’d planned!

I’m pleased with the new Hunting Wild, and eager to share it with my fans. First it must go to my beta readers for their feedback. That’s an important step. There are always a few small glitches (sometimes large glitches) that I can’t see, because I’m too close to it. Luckily, my beta readers see such problems just fine. They point them out to me, and I fix the trouble spots.

However, I have a snippet – a poem – that I wrote as I further developed the religious beliefs of my “medieval” Giralliyans.

Writers end up with these background notes all the time. Things the writer needs to know in order to write the story, but that don’t belong in the story.

This particular fragment of text derives from an old Giralliyan religion – the Gedier Creed – that had been losing followers for centuries until, finally, its practice was forbidden by the crown.

The Gedier Creed involves belief in a god with three aspects: Gwirionedd in heaven, Cummenos on earth, and Eoin in hell.

Enjoy!

The Unicorn Tapestries at Stirling Castle

With blood, in death, the sacrifice of our king draws truth – Gwirionedd – down from heaven to manifest on earth.
In death, with sacrifice, in the harvest of our ripeness dost our king suffer his holy rite.

Stag-horned, beast-headed, our Lord chases the earth.
Steed-mounted, hound-hunted, he courses to pursue his sacred hunt.

Named Cummenos, named wild, he hunts the Hallowed Eve.
From the farthest to the nearest, he hunts monsters unseen.
From the outmost to the inmost, he hunts evils unfelt.
Driving them before him, he descends into hell.

Enthroned, enslaved, in hell he is Eoin.
Judge and demon, meter of fates, he is chained until freed by mortal gift.

With blood, in life, the surrender of our lady frees judgment – Eoin – from hell, to mount to heaven.
In life, with surrender, in the pregnancy of deep winter dost our lady embrace her blessed rite.

Named Gwirionedd, named truth, our Lord presides in heaven.
Breath of spirit, light of seeing, he glorifies and sanctifies, awaiting the sacrifice of the king.

Gwirionedd, our source.
Cummenos, fell and fallen.
Eoin, our maker.
Gwirionedd, our truth and haven.
Hosanna to our Lord.

* * *

For more about Giralliya, the setting of Hunting Wild:
A Great Birthing
Bazinthiad’s Fashions
Bazinthiad, A Quick Tour

 

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2 thoughts on “Hunting Wild as a Novella

  1. “Writers end up with these background notes all the time.” I have more junk that will never see the light of day – probably a million words of it. IF I ever have ‘free time,’ I will consider putting some of it on the book’s site for those who go a’foragin’.

    Problem is the same as yours: it was never intended for publication, so it needs work – which means more time.

    At least yours sound interesting – mine are mostly ‘working things out so they make sense.’ Interspersed with ‘have to take nap’ and ‘am hungry.’ Pages and pages and files and files, getting it all OUT of my head so I can think.

    I look forward to being ‘finished’ in some degree – it’s like the thesis: I couldn’t do anything else until it was done.

    What do other people do with the stuff running around in circles in their heads? People who don’t write it all out? When I don’t get it out, it clogs the brain. But then other people are normal.

    Alicia

    • I have the “other” sort of notes also: “What was Lorelin thinking that first night she slept in the the cave-palace? Hmm. Didn’t I write it down here? But I can’t find it. Oh! I must call the dentist to re-schedule that appointment.” Nope, those won’t be appearing on my blog or anywhere else. 😀

      Fortunately, my notes seem to run the full gamut, from jottings that are nearly illegible and contain stream-of-consciousness asides about mundane life to interesting snippets to orderly records that are mostly fit to be read, just not needed in the story text. Although, even those tidy bits usually need some revision before I’ll share them.

      I’m like you, Alicia, in that I need to write out my thoughts in order to know what they are. My earliest work on any story nearly always involves writing question after question along with whatever answers they provoke. I can’t just think about my stories in order to create them. I have to physically push a pen across paper. (I can occasionally make due with the computer, but a pen is necessary for the most challenging bits!)

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