What is the Worst Thing?

One of the writers I respect most – and whose stories I love the most – asks herself this question: what is the worst thing I can do to my protagonist?

She poses that question, answers it, and then does that very thing in her story.

Shark by Umair Mohsin

She’s not the only writer who uses that question to guide her stories. Many do.

But it never worked for me. When I asked myself, “What is the worst thing that might happen to my heroine?” the answers were distinctly not helpful.

Answer the first: kill her off. In which case, there is no story.

Answer the second: take away the thing that makes life worth living, with no hope of replacement or redemption. In which case, I’m writing a tragedy, and I don’t want to write a tragedy.

Many of my stories are born from a setting that has inherent problems.

For example, Livli’s Gift was sparked from an incident that happens in Troll-magic.

When Lorelin travels north on skis, she encounters a Hammarleeding woman in the woodland edging the tundra. We learn that the woman is returning from a journey to visit her new grandchild, and that her daughter had left the Hammarleeding enclaves entirely, because she wouldn’t be allowed to keep her young son if she stayed. Hammarleeding boy children go to live in the father-lodge, apart from their mothers, when they are two-and-a-half years old.

My story question was: how would a woman who couldn’t bear to follow that societal norm manage when she gave birth to a boy?

Livli’s Gift explored that question, starting with pregnant Livli worrying that her baby might be a boy.

Knife-weilding ElfI’ve generally relied on the inherent dangers and risks in my story setting to drive the story forward.

But, in one of my recently written novels, that method wasn’t working. At least, it seemed not to be working. Both of my first readers told me that the first third of my story wasn’t holding their interest. Both loved the middle and the end. But not the beginning.

So I had some thinking to do. Where exactly had I gone wrong?

The situation my protagonist found herself in was dangerous and scary. If I were in that situation – utterly alone, trapped in a deserted castle with no food or water and no way to get out – I’d be pretty scared.

So why were my readers not gripped by it?

The answer, when I discovered it, was quite obvious. (Although it took me two hours of discussion before I stumbled on it. 😉 )

My protagonist dove into solving her problems too quickly. No sooner did we realize that there was no water than she scrounged up water. Same with the food. That took all the tension out of the story.

I needed to let her encounter the full dangers of her situation before I allowed her to devise solutions.

Epiphany!

Tiger Face Portrait by Gavin BellUnconsciously, I’d followed that guideline – show the dangers fully – in most of my stories.

In Livli’s Gift, Livli arrives on the scene worrying about being forced to give up her baby, if he is a boy.

In Perilous Chance, young Clary immediately must cope with her wailing baby brother, because her father is absent and her mother incapacitated.

In Troll-magic, Kellor struggles with the throes of troll-disease: its physical discomfort and its mental confusion.

In the novel where I failed to follow that excellent precept – allow your protagonist to wrestle with the difficulties inherent in the situation – why had I failed?

It was because I, the writer, was too scared!

I was writing my personal nightmare, and I couldn’t bear to experience it in all its horror. I needed those solutions. With the result that I let my heroine have it too easy.

But don’t worry, she now has a perfectly dreadful time!

That’s why most writers have trusted first readers: to find the places where the story isn’t working so that the writer can fix any writing mistakes and make the story work.

Not only have I fixed the mistake in this particular story, but I now have my own question to ensure I don’t make the same mistake in future stories.

Colorado National Monument

“What is dangerous and risky about this situation? How can I present those dangers most powerfully to the reader?”

It was exciting to develop my own twist on, “What is the worst that can happen?”

I was in the middle of writing a novel at the time, but I can’t wait to see how my touchstone question guides me at the start of my next story. 😀

More writing tips:
The First Lines
Where Should a Paragraph End?

 

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Cover Reveal: Caught in Amber

Caught in Amber is getting ever closer to its release!

Amber feature cov 300When young Fae awakens in a locked and deserted castle, she remembers nothing. Who she is, where she comes from, none of it.

Beauty from all the ages – medieval, renaissance, and gothic – graces her surroundings, but underneath the loveliness a lurking evil stirs.

Fae must recover her memories and discern the true nature of the challenge before her, while she confronts the castle’s dangers – both subtle and not so subtle.

Somewhere in her forgotten past lies the key to her freedom.

Coming soon!

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What Happens After the Manuscript is Complete?

Once you have a complete manuscript – ready for publication, ready for readers to enjoy – what happens next?

workflow ms

Several of you have asked me this question, and it is well worth considering.

Writing has a natural flow. When you finish one scene, you write the next. When you complete the first draft, you send the story to your trusted first reader. When you’ve fixed the errors pointed out by your first reader (or readers), you send the manuscript to your proofreader. Step three cannot be performed until steps one and two are complete.

workflow: too muchBut once the manuscript is completely finished, the next step is less obvious. Especially if you prefer to do the work yourself, as I do.

Do you create the cover?

Do you write the cover copy? (Sometimes called a “blurb,” just because “blurb” is one syllable, while “cover copy” is four!)

Or do you format the file for uploading to the different etailer sites?

It can feel like all of these tasks are rushing you in a group. But they aren’t. You pick one and work on it. Then you pick another and work on that one.

I have published fourteen ebooks so far, and I have another five underway. Somewhere between the first book and the fourteenth, I arrived at a workflow that feels comfortable for me and that allows me to do my best work.

I’ll outline it below.

workflow: early blurbThe Blurb

I always tackle the cover copy (or blurb) first, because I find it to be the most challenging piece of publishing a book. I have to take multiple passes at it to get it right.

How I feel about my first attempt at a blurb varies wildly!

Sometimes I’ll write it and think: I nailed it! This is it! Woot, woot!

More often, I’ll struggle and groan and feel as though someone is driving spikes through my head, and think that whatever I’ve created for cover copy is awful! Blurb writing does not come easily to me.

But once I’ve put in solid, committed effort and have a complete blurb, I move on.

If you’d like to see the principles I follow when writing blurbs, I have two posts about blurbs on my website: one here and one here.

workflow: cover artCover Design

I tackle the cover design next. Finding the right art for the cover can be very challenging, but usually I’ve started looking for art while my first reader is reading my story. Often I’ve found the art and purchased the right to use it before the manuscript is back from my proofreader.

For me, cover creation is like playing. All my stress melts away, and I’m just having fun creating a beautiful and compelling visual that fits my story. It’s a good chaser to the agony of blurb writing. 😉

For guidelines on cover design, see my Cover Design Primer.

workflow: second blurbBlurb, Round 2

Then I look at the blurb again.

Inevitably – whether I loved my blurb or hated it – I see that it’s not good enough. It conveys a false idea of the story or it fails to ground the reader in the setting or it doesn’t include any hint of the lyricism that is part of my writing.

A blurb can fail in so many ways, and I think I am slowly discovering them all. 😉

But usually there is some portion (or portions) of my blurb that is useable. I build on that for another draft. And see what my husband thinks about it. And then use his feedback to create yet another draft.

Then I return to my cover.

workflow: tweaking the cover design

Cover Design, Round 2

When I create my covers, I start with the cover for the paperback. I’ve learned that it is much harder to add a spine and back cover to an ebook cover than it is to extract the front cover from a paperback cover and use it for the ebook.

So I pour the blurb into my paperback cover file.

When I do so, I inevitably see that the cover needs some adjustment.

Maybe the font I chose requires that the tail of the “J” in my byline be a little longer. Or a little shorter. Maybe the position of the skier’s cloak (in the art) is too close to the spine. There is always something.

So I tweak the cover.

(The left version of Devouring Light above shows only the harsh black of outer space behind the goddess. It directly contradicted the playful undercurrent of my story. The right tweaked version of the cover has a soft starfield in the background.)

workflow: third blurbBlurb, Round 3

Pouring the blurb into my cover file helps me to see the blurb as a reader, rather than as a writer. That fresh perspective often clarifies where to go next with the blurb. By this time, my blurb should be approaching its final form. A little more massaging will get it to where I am satisfied.

Now, don’t get me wrong. I am far from a master blurb writer. Marketing gurus have many years of schooling in the discipline behind them plus years of experience. That’s not me! I suspect I will continue to learn about blurbs and how to write them for as long as I’m publishing books. But I am better at it than I used to be.

Format the Ebook File

I leave formatting the file for last.

I believe that ebook files need to be as simply formatted as is possible. You never know what kind of a device your reader will be reading on. It could be a Kindle or a Nook or a Kobo. More likely, he or she will be using a smartphone and some sort of ereading app.

The more bells and whistles you include, the more likely that something will go wrong. And then your reader won’t be reading at all. Or, if she is, it won’t be your book.

So I make the formatting very, very minimal.

Which means that it doesn’t take me much time. Half an hour at most.

workflow: keywords

Keywords

Not all etailers allow the publisher to attach keywords to a book. But Amazon and Nook Press do. You want to choose your keywords carefully. I choose mine to position my book in as many of the suitable categories as possible.

I use Amazon’s keyword guide for fantasy and science fiction to help me choose. I only aim for categories where my book genuinely belongs. But often there are quite a few that fit. I want my book to appear in as many of those as I can manage. 😀

I make a list of the keywords for this book and keep a record of them in my computer folder for that title.

workflow: final blurbBlurb, Round 4

Sometimes I don’t need this final stab at the blurb. But, often I do.

Just before I upload the ebook file and the cover file, I look at the blurb again. And tweak it just a little more.

Uploading

I double check to be sure I have everything I need. Is the file formatted and ready to upload? Check.

Is the cover file correctly formatted and correctly sized for uploading? Check.

Is the blurb ready to copy-and-paste into the blurb box on the etailer site? Check.

Do I have my keywords chosen and ready? Check.

I log into my account, type in the requisite information, upload the files, type in my price in US dollars, and round the international prices so that they are not a weird number like £3.16.

Then I wait the 12 hours it takes (sometimes less on Amazon, usually more on the other sites) to go live.

Author Central

Once the book is live on Amazon, I visit my Author Central account and “claim” the book as mine.

This will cause the book to appear on my author page on the Amazon site. Whenever a reader clicks my name on the book’s page, he or she will arrive at my author page. I want all my books to appear on that page. I want it to be easy for a reader who loved one of my books to find another.

The other benefit of my Author Central account is that I can format the blurb.

The KDP desktop where you upload the book does not permit any formating. No italics. No bolding. Nothing. The result can look unprofessional and messy. The desktop at Author Central lets me make my blurb look nice.

And – guess what? – when I see the blurb correctly formatted, I often make yet one more tweak! That final blurb often has ten or more drafts that preceded it!

workflow: Author Central blurb

Quality Assurance

When I upload a book, Smashwords and Amazon both have a step that allows me to preview the ebook. I look through every page of it to be sure that a glitch has not crept in unbeknownst to me. I don’t read. What I’m primarily checking for are: odd page breaks, weird formatting, or formatting that appears as text instead of invisibly guiding the text of the story.

My workflow tends to generate odd page breaks from time to time. Not always. Not often. But sometimes. If I find any, then I have to fix the problem and re-upload the file before I click the publish button.

But I like to take one final QA step on Amazon after the ebook is available for purchase. I buy the ebook and look at it on my Kindle. And give a huge sigh of relief when I see that the formatting is indeed fine.

Devouring Light on the Amazon siteDone!

Writing out my entire process makes it sound like a lot. But I move through it fairly quickly these days. Practice!

Of course, this is the workflow for an ebook. Paperbacks use some of the same elements – but they have their own unique workflow. Perhaps, if I hear interest, I’ll blog about it sometime.

Edited to Add

All of the above could be summarized much more tidily.

1 – The blurb: write it.
2 – The cover: create it.
3 – Format the ebook file.
4 – Choose your keywords.
5 – Review steps 1 and 2, repeatedly, and tweak both, repeatedly. 😉
6 – Upload the files.
7 – Visit Author Central and format the blurb.
8 – Buy a copy of the ebook and look at it on your Kindle.
9 – Done!

My hope is that the more detailed narrative will be useful to those who are actually in the throes of the work between completed manuscript and published ebook.

The middle of the real process is a lot messier than nice, neat check lists. Many of us (myself included) find value in an accurate (if complex) roadmap. 😀

The links mentioned above:
Cover Copy Primer
Eyes Glaze Over? Never!
Cover Design Primer
Amazon’s Keyword Guide
Amazon’s SFF Keyword List

 

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