The Troll’s Belt in Paperback!

Another paper release to announce: The Troll’s Belt is now available as a trade paperback. I’m thrilled!

Portrait of Brys in front of Ryndal's hillcot

Young Brys Arnsson digs himself into trouble.

Bad trouble.

Tricked by a troll in J.M. Ney-Grimm’s richly imagined North-lands, Brys must dig himself and his best friend back out of danger. But that requires courage . . . and self-honesty. Traits Brys lacks at depth.

A twist on a classic, The Troll’s Belt builds from humor-threaded conflict to white-knuckle suspense.

The Troll’s Belt as a trade paperback:
5″x 8″ trim size • 102 pages
ISBN-10: 0615896294
ISBN-13: 978-0615896298
Amazon.com I Amazon UK I Amazon DE I Amazon ES I B&N I CreateSpace

The Troll’s Belt continues to be available as an ebook:
Amazon.com I Amazon UK I Amazon DE I Amazon ES
B&N I iTunes I Kobo I Smashwords

The following review has been on Goodreads for quite a while, but it’s so glowing I can’t resist excerpting it here. 😀

“The writing style is fantastic. It’s somehow youthful (as it’s through the eyes of a twelve year old) and mature at the same time. Normally, it would be a challenge to discuss…responsibility, loyalty and forgiveness with such a young “voice,” but Ney-Grimm does so easily. The result is a thought provoking tale… Heartily recommended, and it’s made me look forward to reading more of her work!”

 

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Crossing the Naiad in Paperback!

Designing the front covers for my paperbacks is easy. I want them to match the ebook editions, so a little adjustment to allow for the difference in size – thumbnail ebook versus X” by Y” trade paperback – and it’s good.

Front cover images of a naiad underwater

Designing the back cover is fun! It’s like an art puzzle. How do I take the visual theme of the front cover and continue it on the back in a way that will work? Satisfying to work on the puzzle. Even more satisfying to solve it.

Designing the interiors involves similar pleasures of visual ingenuity and creativity.

All the design work is play for me.

Then comes the hard part!

I upload the files to CreateSpace. I look at the digital proof online. It looks good. I order the physical proof. The margins on the cover are different than those I’ve specified in my files. I make a guess as to what CreateSpace will do at their end.

(They’re not organized in such a way that I can talk with the technician who actually does the work of converting my files for the print-on-demand printing machine.)

I upload the files again. This time, the margins are correct, but the title on the spine has slipped and is lopsided. I make more guesses about the best adjustments to make. I upload the file again and order yet another proof.

The cover is perfect! Yay! But as I flip through the interior – the interior that has been proofread umpteen million times – I spot a typo. It’s in the copyright statement about fair use. I grit my teeth and decide to live with it. Then I spot another typo. Grr! This one is in the body of the story. No, I can’t live with it. I correct the files again. This time, the proof copy is perfect.

I click the approve button at CreateSpace.

And three days later, my book is available for purchase on Amazon! As several more weeks go by, my book makes its way into the extended distribution system. Eventually it will appear in such bookstores as Powell’s in Portland, Oregon and Fishpond in Australia!

Now, that makes it all worthwhile. But you can see why I’m pretty thrilled when I make it all the way through the gauntlet of CreateSpace.

Recently, a spate of my books has passed through that treacherous channel. Today I’m pleased to announce the release of Crossing the Naiad in paper.

Front and back book covers depicting a naiad underwater

Its truth forgotten in the mists of time, the old bridge harbors a lethal secret. Neither marble statues awakened for battle nor an ancient roadbed grown hungry, something darker and more primal haunts the stones and the wild river below.

Kimmer knows the stories, but she doesn’t know why the crumbling span feels so fraught with menace. Her way home lies across the ruin. Dare she take it? Or will horror from the lost past rise up to claim her, when she does?

Crossing the Naiad as a trade paperback:
5″x 8″ trim size • 46 pages
ISBN-10: 061589058X
ISBN-13: 978-0615890586
Amazon.com I Amazon UK I Amazon DE I Amazon ES I CreateSpace

Crossing the Naiad continues to be available as an ebook:
Amazon.com I Amazon UK I Amazon DE I Amazon ES
B&N I iTunes I Kobo I Smashwords

Just a few weeks ago, Crossing the Naiad received a very positive review on Goodreads!

“A quick, refreshing piece of literature. Like a cool sip of water after a grueling endurance marathon . . . It’s swift and concise, but the prose is eloquent and deft, to the point, yet gracefully articulate . . . again I am enthralled with the completeness of the picture the author is painting. The world comes to life . . .”

 

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Livli’s Gift in Paperback!

After printing umpteen million proof copies – okay, I’m exaggerating! it just seemed like that many – CreateSpace has finally disgorged an edition that looks the way I want it to! Livli’s Gift is now available in paperback. I’m thrilled!

Livli paperback photo 3853

Livli heals challenging injuries among the pilgrims to Kaunis-spa. Its magical hot spring gives her an edge, but Livli achieves spectacular cures mainly because she refuses to fail.

A pioneer, she hopes to match her new ways for banishing hurt with new ways of living.

But the sisters of Kaunis-lodge fear rapid change. What precious things might they lose while tossing old inconveniences?

Livli pushes forward the new, and one influential foe pushes back. Kaunis-home will keep its revered traditions, even if Livli loses almost everything.

Everything . . . and the one thing she absolutely cannot lose.

Livli seeks an answer in the oldest lore of her people, something so ancient, it′s new. But mere resolve against failure meets an immovable counter force this time. Victory requires more.

Must surrender spell defeat? Or could letting go harness real power?

Livli’s Gift as a trade paperback:
6″x 9″ trim size • 212 pages
ISBN-10: 0615743080
ISBN-13: 978-0615743080
Amazon.com I Amazon UK I B&N I CreateSpace

Livli’s Gift continues to be available as an ebook:
Amazon.com I Amazon UK I Amazon DE I Amazon ES
B&N I Diesel I iTunes I Kobo I Smashwords

Update: A lovely review appeared on Goodreads over the weekend, so lovely that I can’t resist sharing it!

“I have never read a novel that made me feel so good. Mrs Ney-Grimm, you absolutely BLEW MY MIND! . . . It was so unique, so original . . . Usually I blast through the pages of a book that I love, but Livli’s Gift made me want to go as slow as possible, absorbing every moment of bliss.” – Goodreads review

 

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Draco the Dragon

Several constellations receive mention in my novella, Devouring Light. Cygnus the Swan soars across the eighth sphere. The Great Bear lumbers along its vast curve. And, embracing the freedom of fiction, I created a few constellations unknown to Earth’s history: the Simiae and the Winged Bulls.

But one constellation alone features prominently in my story: Draco.

Blue Dragon Tattoo

Older by far than the planetary spirits, Draco is a wily, jaded creature who’s forgotten the pleasures of living in his neck of the universe. His capricious response to his boredom pushes first Mercurio, and then Haden, toward action that summons catastrophe.

Of course, many an ancient legend about the dragon preceded my own Devouring Light.

According to the ancient Greeks, a dragon named Ladon guarded the garden of Hera, queen of the gods. Within Hera’s garden grew a grove of trees with golden apples that bestowed immortality upon their eater. Nymphs – the Hesperides – tended the garden and occasionally stole the apples. Ladon was given the task of preventing such theft, whether by the nymphs or by other intruders.

The Garden of the Hesperides by Frederic LeightonDespite Ladon’s watchful ferocity, two renowned trespassers managed to steal apples. Eris, the goddess of discord, inscribed her stolen fruit with the phrase “to the most beautiful.” When she rolled the apple into a wedding (from which she had been excluded), she started the Trojan Wars.

Hercules was the other interloper. Of the twelve labors given him, the eleventh was the theft from Hera’s grove. He didn’t attempt the feat himself. Instead he offered Atlas a break from holding up the world, if Atlas were to do the deed. Atlas possessed the advantage of being the father of the Hesperides, and he liked the idea of a rest for his shoulders. In fact, he liked it so much that he refused to exchange the stolen apples for the world. He didn’t want it back.

Hercules agreed to take Atlas’ place permanently, so long as he could first rearrange his cloak. Naturally, once Atlas again bore the world on his own shoulders, Hercules did not keep his promise. Not much honor amongst those Greek gods and heroes!

In one version of the myth, Ladon is rewarded for his long vigil by being enthroned in the sky as a constellation. Certainly, the two constellations – Draco and Hercules – are near one another in the heavens.

The ancient Romans told a different tale about the dragon. Draco was one of the Titans, monsters who fought the Olympian gods for dominion over the earth. The war was grievous and long. In the final battle, when the Olympians prevailed, the goddess Minerva confronted Draco. She won and tossed the defeated dragon into the sky. Frozen by the cold northern Celestial Pole, he stayed there for eternity.

In addition to its mythological importance, Draco also possesses elements of interest to astronomy.

The star Thuban – head of the serpent – shines within Draco. It’s a blue-white giant and occupied the position of pole star from 3942 BC to 1793 BC. The ancient Egyptians noted this and built their pyramids with one side facing north and an entrance there that permitted Thuban to be seen within. Because the Earth wobbles on its axis – a cycle that takes 26,000 years – Thuban will become the pole star again in 21,000 AD.

Cat's Eye NebulaThe Cat’s Eye Nebula is located in Draco. It possesses one of the most complex shapes ever seen through the Hubble Space Telescope. Created 1,000 years ago by an exploding star, the nebula features knots, jets, bubbles, and arc-like structures.

The quasar Q1634+706 also inhabits Draco. 12.9 billion light years away, it’s so bright that it’s the most distant object that can yet be seen through an amateur telescope.

And, finally, Draco hosts the meteor shower known as the February Eta Draconids.

On the cultural side of things, I am not the only artist inspired by Draco.

The film Dragonheart presents the constellation as a heaven to which the spirit of any dragon ascends after death, if it has upheld an ancient dragonish oath to guard mankind. The Russian chess master master Fyodo Dus-Chotimirsky named the chess opening of the Sicilian Defense the Dragon Variation, after the constellation. And J.K. Rowling named her antagonist, Draco Malfoy, in the Harry Potter series after the starry Draco.

For more about the world of Devouring Light, see:
The Celestial Spheres of Sol
What Do Celestials Wear?
The Graces
Roman Dining
The Heliosphere
The Oort Cloud
Mercury the Planet
The Simiae

 

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Gongs

Gong au Palais Royal de BruxellesWhen I wrote the story Resonant Bronze, I needed to know more about gongs.

The type of gong most familiar to Westerners is the bullseye gong or tam-tam. A tam-tam is made of brass (copper and zinc) or bronze (copper and tin). It’s nearly flat with a very shallow curve. And the rim is turned to be perpendicular to the gong’s surface.

Tam-tams yield a crashing sound when hit. They were originally used in China to signal the peasants working in the fields. They could be heard up to 50 miles away!

But the gong featured in Resonant Bronze is not a tam-tam. It’s a nipple gong.

Nipple gongs possess a central raised boss that is often formed of a different metal than the rest of the gong.

Such is exactly the case for the gong in Resonant Bronze. Its central boss is made of meteoric iron, while the rest of its wide circle is formed of arsenical bronze (copper and arsenic). Thus its silvery color.

Nipple gongs have a clearer, more resonant tone than tam-tams, with less “shimmer.” Small nipple gongs are often suspended horizontally (rather than vertically) and played together as you might play a xylophone.

The gong in Resonant Bronze is large – roughly 3 feet in diameter – and hangs vertically.

One of the most interesting things I learned in the course of my research involves the unique forging properties of bronze.

Most metals – copper, steel, silver, brass, etc. – when heated and slowly cooled to room temperature in still air become more ductile, more workable at cold temperatures, and less prone to internal stresses. This is called annealing.

Bronze does not behave like this when slow cooled. In fact, it becomes excessively brittle and difficult to work.

Bronze must be heated to cherry-red and then quenched in water. This quick cooling makes it so soft that it can then be hammered. Thus a gong is first heated, quenched, and shaped. Then it is heated again and slow-cooled to harden it.

While modern bronze is composed of copper and tin – from 8 to 22 parts of tin for every 78 parts of copper – the ancients used arsenic instead of tin. This resulted in several advantages.

The arsenic acted as an de-oxidizer, causing the extra oxygen sometimes present in liquid copper to evaporate as various arsenous oxides, yielding a more malleable bronze.

The presence of arsenic also produces a greater work hardening of the metal without causing embrittlement. (Especially important for cutting and chopping tools, not as important musical instruments.)

And, finally, the arsenic creates an attractive silver sheen to the metal’s surface.

Arsenic is present in many of the copper ores in the ground, but the ancients also added arsenic themselves.

Unfortunately, arsenic within an alloy also possesses some serious disadvantages. Arsenic vapor attacks the eyes, lungs, and skin of the smith, as well as causing neurological damage that results in weakness in the legs and feet. It is speculated that this fact of neuropathy lies behind the archetype of lame smiths such as the Greek god Hephaestus.

A very large Thai gong at a temple in Roi Et, Isan, ThailandThis is one of those times I was super glad I’d done my research! It would have been so easy to get this wrong. My natural inclination is to research topics I don’t know much about. I just don’t feel comfortable writing my story when there’s an important element in it and I’m ignorant. Of course, it’s not just wanting to get the details right that propels me. I’m also insatiably curious! 😀

For more about the facts behind my stories, see:
Origin of Canning
The Accidental Herbalist
Roman Dining

 

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The Theft of Odin’s Horse

Stowe Landscape Gardens, Buckinghamshire, England

This story opening was inspired by two photos I took last year. Both appeared on my blog: the tangled garden here, and the soaring tree here.

* * *

All-father above! Why was Yggdrasil, the Tree of the World, growing in Loki’s court?

Cissa had walked out to Ithunna’s garden to loll on mounds of feathery periwinkle and savor the light breeze winging up the hillside. Why not? Vanna was busy in the kitchen; they’d gabbed late into the night. Some morning solitude would suit them both.

But lolling and savoring weren’t what she was doing.

She’d strolled through the wild tangle of green, noting sprays of fern, tendrils of ivy, and seated herself against the trunk of a gnarly maple. Its rough bark grated on her skin, left bare by her halter top. Long weedy things tickled the bend of one elbow.

She’d found the perfect vantage: tree at her back, loveliness sloping away before her, cool dappled shade all around. Ah! She inhaled – the start of that savoring – and chuckled. The sweet syrupy aroma of honey melting into butter accorded not at all with her bowery surroundings. Vanna was making granola, and her open kitchen window meant spicy cinnamon and nutmeg overwhelmed the cleaner scents of rain-washed leaves and loamy earth. A clatter of baking sheets interrupted fluting birdcalls and the distant sound of falling water.

It felt comforting, this blend of her kinfolk: Vanna’s domesticity in the home, Ithunna’s love of green and growing things in the outdoors.

I’m lucky in my sisters, my nieces, she mused. Less lucky in . . . but that was a thought for another time. Or was it? Before her and behind her, all was well. But there to her left, where Ithunna’s orchards lapped the stone walls of their nephew’s castle? Was something amiss there?

She’d straightened, not sure why she was worried, then climbed to her feet and let the sensory world fall away. In the space between will and action, the gap between dream and reality, in the magic underlying rock and bone and breath – something was far more than amiss.

Eyes closed, she saw vast limbs stretching beyond the sky, cradling the heaven of Asgard; sensed deep roots burrowing below even the earth’s foundations to sip the springs of fate and wisdom; felt the massive trunk supporting the clement harbors of life where mortal men and women dwelt.

An American Beauty, 1906 postcardBut Yggdrasil grows from the Wells of Urth, not in the trickster’s back bailey!

What had Loki done?

* * *

She’d rushed back to the house to confront Vanna with the dreadful news.

And been inveigled into another of her sister-in-law’s food projects before she found the words – and the opening – to speak of Loki’s perfidy. When she did the modest dining room – sunlit white walls, two windows, oak table and chairs, and nothing else – grew very quiet. Her chair creaked under her as Cissa leaned forward.

“You knew? You knew! That Yggdrasil now grows in Loki’s court?”

Vanna was looking at the capped jar of raw milk resting on the oaken boards of the dining room floor. It had been curdling for five days now, separating out into creamy curds floating on thin cloudy-white whey.

“Loki told me.” Vanna’s answer sounded distant.

Loki told you?” Cissa felt breathless. “Loki!”

Vanna bent, lifted the two-quart jar, and placed it on the table. They’d covered the surface with a red oilskin to protect the wood from moisture. Making whey for pickles could get messy.

“He always trusted me more, you know.”

Odin’s beard! Was everything Cissa thought she knew about Vanna wrong?

“But you told someone? You warned someone?”

Vanna arched an eyebrow, easing the cap off the milk jar. The sour smell of the whey rose from the vessel’s mouth. Sunlight sifted through the tree leaves outside the west window, dappling the square glass panes, dappling Vanna herself. Her golden blond hair – twisted up on her head and pinned – glowed. She looked very much herself: goddess of fertility and wife of Uller.

“Did you never think that perhaps the reason Loki is untrustworthy is because no one trusts him?”

Cissa rose abruptly to her feet. “No!”

She turned to pace. The room wasn’t big enough for it. She knocked against the next chair over, caught her elbow on the white cloth blind let down over the south window, and then bumped her hip against the table. The screws holding the legs on squeaked. The whey in the jar sloshed, but the thick curds atop kept it from spilling.

“Loki the abducter! Loki the thief! Or are you going to tell me he never absconded with Daphne to Alfheim? Or clipped Sybil’s tresses?”

The hint of a smile crossed Vanna’s face. She arranged a square of linen in a sieve in a crockery bowl.

“There was rather more to it than that. Both times.”

In one smooth motion, she tipped the jar upside down over the sieve. The curds stuck for a moment in the neck of the jar, then slithered out with a sucking noise. The whey poured after, splashing.

“I think it’s worth giving him a chance.”

Cissa’s breath huffed out. She plopped into the chair beside her, at the table end near the parlor. A cushion tied to the rungs of its back made the seat softer than her earlier perch, plain oak.

“And if you’re wrong? If there are no extenuating circumstances this time?”

Her arms rose almost involuntarily, and her fingers clutched the curls atop her head. It pulled a bit.

“This is Yggdrasil. The world tree. Which has grown in Odin’s court since first its seed sprouted. Its branches are our foundation. Vanna, think!”

“I did think. I have thought. And –”

While she hesitated, Vanna knotted the two opposite corners of the linen cloth, then the other two, and thrust a wooden spoon through the double loop.

You think. If we raise an alarm, a big stink, what will Loki do?”

Cissa grabbed the glass pitcher from her end of the table and pushed it along the oilskin, closer to the bowl.

“The absolute worst he can think of,” she answered slowly.

“And if we give him breathing room?”

Vanna lifted the bundled curds by the spoon. The whey, almost translucent, ran off the bottom of the rounded linen, passing through the sieve and hitting the bowl with a soft drumming rhythm. Its sour smell, a bit like yogurt, but sharper, grew stronger.

Cissa felt her lips straightening. “Perhaps no harm will be done. Perhaps we’ll find out why – oh!” She jerked and bumped the table yet again, with her belly this time, and softer. The table jiggled and squeaked. “Do you suppose Yggdrasil was in danger? Loki is protecting it?”

Vanna lowered the bundle of curds into the pitcher, letting the spoon rest across its wide opening. For the first time in this conversation, her eyes met Vanna’s. They looked sad.

“Now you are more generous than I, little sister.”

Cissa blushed. “But –”

“Loki will make mischief whenever it does not compromise his advantage. And even then, sometimes.”

Vanna carried the pitcher away into the kitchen.

Cissa heard the ice-box door open and close. She reached for the bowl full of whey on the table, lifted the empty sieve out of the liquid, let it drip a bit, and set it down. Wet. That’s why the oilskin. She put the waiting funnel into a clean jar with a narrower mouth and poured. Would it all fit? No, she’d need a second container.

Bunging the cork in to seal this first one, she came to a decision.

Her hands weren’t quite steady.

“I’m not willing to just take Loki on faith. I won’t raise the alarm. But I’m going to ask some questions.”

Vanna reappeared in the kitchen doorway.

Cissa stood, wiped the damp whey bottle with a dish towel, and handed it to her.

Vanna smiled. “Good,” she answered.

* * *

For more story openings, see:
Witch’s Sweet
Fate’s Door
The Green Knight

For the list of stories that began all these story opening posts, see:
Popcorn Kittens

 

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