The Tally Master, Chapter 6 (scene 29)

Crawling around the privy smithy bearing one of Arnoll’s tallow dips, Gael collected fully as much dirt and soot on his tunic and trews as he’d expected. The smithy scullions kept the forge area clean and tidy. The tower sweeps kept the floors and counters clear. But the odd corners, crevices between various fixtures and the wall, and the surfaces below the tool racks collected finely sifted ash ground into grease.

It had never occurred to Gael that he should squirm on his belly under the lip of the privy forge or squish between the counters and the back wall, but now that he had, he would develop a few additional protocols for smithy maintenance. He should probably first check the other smithies to see if they suffered the same pattern of encrusted dirt. They might not.

Arnoll found a set of elegant two-tined forks in an empty quenching pail. Who knew which day they were forged? Gael himself found nothing. And neither of them discovered any missing ingots.

When Arnoll closed the lid of a chest of sand with a snap, Gael shook his head. “I think we both knew there was nothing to find,” he said. “But I had to check.”

Arnoll surveyed the blackened knees of his trews ruefully. “The leather grooms are going to beat me senseless when I hand these over for cleaning,” he remarked.

Gael’s knees were no better. “Time to quit for tonight, I think,” he said.

Arnoll nodded and led the return to the counter in his smithy where the stolen copper ingot still rested. Gale collected it, and then they headed for the exit on the back wall where the Cliff Stair climbed to the magus’ quarters below the battlements.

Gael was glad for his tallow dip, burning low at this point though it was. The torches in the tunnel between the smithy and the stairwell were doused, as was usual at this hour. And so few trolls climbed the Cliff Stair at night that only every third landing was illuminated by a flaming torch. Gael wasn’t sure why Theron bothered to order any torches lit. The bright landings merely meant one’s eyes must work harder to adjust on the dark ones and all the dark steps in between.

In silence, Gael climbed side by side with Arnoll, past the place of arms adjacent to the melee gallery and on toward the place of arms on the next level. His thighs felt weak as pouring copper, and his left ankle stabbed fiercely each time he took the next tread with his left foot. He’d chosen the outer position, which required longer steps, to spare Arnoll. Now he wished he hadn’t. Arnoll hadn’t climbed up and down the tower all day the way Gael had.

As they rounded the newel post toward a landing that should have been bright with flickering torch flame, Gael put out a hand to check Arnoll.

The landing was dark.

Gael paused, listening.

The sound of a door closing softly somewhere above was followed by the click of a latch, a gasp, and then running footsteps, headed up. Someone—perhaps the someone who’d doused the torch—had noticed the glow of their tallow dips approaching.

Gael looked sharply at Arnoll. Arnoll looked back, nodded.

And then they were running, shoving their weary bodies upward with all the speed possible. Whoever it was had a guilty conscience. They’d catch him, question him, and find out why.

Reaching the dark landing brought momentary relief to Gael’s tiring legs—three full strides across a blessedly flat floor. Then they were climbing again, up and up, around and around.

Gael felt his pace slowing, heard the furiously echoing steps of their quarry drawing away. He pushed harder, but sheer will wasn’t enough to hasten his faltering feet.

The footsteps above quickened, then cut off altogether.

Gael cursed and halted, slumping against the outer wall of the stairwell. Arnoll stopped a few steps above him, equally winded.

“He’s left the stair,” panted the smith.

Gael nodded, bent with one hand on his knee, sweatily clutching his copper ingot, the other holding his tallow dip, lungs heaving.

“Hells,” said Arnoll. “A dozen deep-set doorways, the central stair, half a dozen dark embrasures, and the entrances to the three other stairwells. We’ll never catch him.”

That was a given, now that they’d broken off the pursuit. But Gael shared Arnoll’s unspoken conclusion. Their fugitive could be anywhere by now.

Gael hung there, catching his breath. His grubby tunic clung to his shoulders and back as though someone had dumped a bucket of quenching water over him. His ribs ached, and his arms wobbled almost as badly as his legs.

“Let’s go see what’s behind that door just above the dark landing,” he said at last, straightening. “A latrine, I think. But.”

Arnoll nodded.

Gael’s panting had slowed, as had Arnoll’s. They waited several moments more. Descending on wobbly legs would be worse than climbing.

“Come,” said Gael, starting down, taking the inside position this time.

Arnoll joined him with a grunt. “I almost wish I owned a cane,” he muttered.

Gael snorted a laugh. Arnoll with a cane was ludicrous, but Gael wanted one, too. Each step down to the next tread threatened to collapse his legs entirely. Had his troll-disease advanced another notch? Or did he merely sit too long every day at his tally desk?

When they reached the door located three steps above the dark landing that should have been bright, Gael eased it open. A powerful stench rolled out.

There was indeed a latrine behind that door, with the usual arrangement: a square of stone floor, a closed stone bench at the back, a round hole carved in the seat of the bench, and a slanting ceiling overhead.

So much was ordinary.

The wastes brimming at the lip of the latrine hole were not.

The latrines located off the Cliff Stair emptied into long channels descending through the walls of the tower, carrying their contents to the steep cliff located on this side of the citadel. The channel emptying this latrine—like several others—possessed a dogleg and required regular maintenance to prevent clogging. Such maintenance was always scrupulously provided, never neglected. Why had it been neglected now?

Gael reeled back, jostling Arnoll and nearly tumbling both of them down the two steps to the landing.

Somehow, Arnoll retained his balance, steadying Gael as well.

“Sias!” gasped Arnoll.

Gael surged forward to close the door. It didn’t reduce the stench much, and they retreated to the next landing up, where an arrowslit provided fresh air. Their tallow dips flickered wildly.

“What in hells?” said Gael.

Arnoll shook his head.

Gael pressed his lips with a forefinger, thumb beneath his chin. “Someone didn’t want to be discovered there.” He thought a moment, resisting what came next. “I’m going to check it thoroughly.” If only he’d not doffed his caputum when he changed his clothes. He could have pulled the fabric that covered his shoulders up over his mouth and nose.

“Wait here,” he told Arnoll, handing him the copper ingot.

The smith chuckled. “Oh, I’m coming with you,” he said.

“You need not.”

“Oh, I know, I know. But I’m curious, too.”

The stench outside the latrine door had not dissipated appreciably. It strengthened unpleasantly when Gael opened the door. He buried his mouth and nose in the crook of his elbow, held his tallow dip high with the other arm, and stepped inside, Arnoll hard on his heels.

Surprisingly, the floor was clean and dry, as was the surface of the bench.

Why had the castellanum’s scullions cleaned the latrine compartment thoroughly, but left the clog untouched? Surely they’d earn a birching that way.

Gael studied the slanting ceiling behind the bench, the small blocks of stone neatly fitted together, the mortar between them tidy. The side walls were similar. The front wall possessed a small arched niche to one side of the door, with a bucket of water resting within.

Gael removed the bucket, handing it to Arnoll, who set it down on the bench, well away from the brimming hole.

Gael crouched, hampered by the cramped space, peering into the empty bucket niche. His tallow dip flickered and went out, but he waved aside Arnoll’s offer of his, setting the extinguished saucer on the floor and probing the niche with his freed hand.

The mortar felt crumbly and loose. He worked a piece out, held it up in the dim light of Arnoll’s dip, then put it down to pick at the loose mortar again. Following the seam, he discovered a section lacking mortar altogether. His fingertips traced out a rough rectangle. He probed for purchase, then drew out the unmortared stone.

“Hah!” Arnoll exclaimed.

Gael stayed grimly silent, reaching into the now open cavity in the niche’s sidewall.

Somehow, he felt entirely unsurprised when he pulled out two nested ingots of bronze.

*     *     *

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The Tally Master, Chapter 6 (scene 28)

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The Tally Master, Chapter 6 (scene 28)

Gael stared in shock.

Arnoll! Arnoll was the thief?

It was impossible. If any troll within Belzetarn could claim integrity, it was Arnoll. He told no lies. He avoided pretense and poses. He befriended those in need. He’d befriended Gael for no reason Gael could see, those seven years ago. He defended those who needed defense. He’d defended Gael.

Gael’s thief absolutely could not be Arnoll.

And yet, there Arnoll sat, examining an ingot of tin that he should not possess.

Gael’s feet felt glued to the stone floor, while his heart hammered.

He wanted to turn around, to retrace his steps—through time, as well as space—to go back to the moment before this one. To return to his chambers and not leave them. To avoid this instant of discovery altogether. To never see Arnoll holding the tin ingot. To not lose one more friend. To not be betrayed.

Gael stepped forward.

Arnoll looked up. His curly hair, iron gray, emerged from shadow, and his face lightened, losing the demonic aspect conferred by his frown and the lighting. He held the tin ingot out to Gael. “Look at this,” he directed matter-of-factly. “What do you make of it?”

Gael’s heartbeat slowed, and he tamped down his consternation. Of course there would be a reasonable explanation. Arnoll was exactly as he presented himself: trustworthy, solid, steadfast. Gael was a fool to even consider otherwise.

He took the ingot in his hand and immediately knew why Arnoll had perceived something amiss with it.

The flat rim, roughly two fingers in width, lay cool and smooth against Gael’s palm, filling it. The hollow pyramid rose at the normal angle from the rim, a dull and silvery gray, not yet darkened from its fresh forging to the blacker hue of old tin. The flat top was properly square. The ingot looked entirely normal, and it possessed the correct heft, neither too light nor too heavy.

But the metal was too thin.

Not by a lot. Not enough for an inexperienced troll to notice, perhaps. But to a smith or to one who tallied metals, it was significant. Belzetarn’s ingots of copper, tin, and bronze all weighed the same—one pound—and possessed identical width, length, and height. But the thickness of the sheet forming the ‘hat’ shape of the ingots varied. Dense copper was thinnest. Bronze, just a hair thicker. And tin—light and rare—was thickest of all.

This tin ingot possessed the thickness of a copper ingot. And Gael wanted to know why.

“Did someone use the wrong mold?” he asked, without really thinking.

“That would be the preferable explanation,” said Arnoll, his voice taking a sardonic tone. “But, no.”

Arnoll knew something Gael didn’t, evidently.

“What is it?” asked Gael.

“Look at it with your inner sight,” said Arnoll.

Gael’s calming pulse quickened again. Anything in Belzetarn involving energea posed the potential for unwanted complication. Gael especially wanted no complications in the smithies or, by extension, in his tally room. But complications were almost guaranteed, once he’d discerned the thefts of tin and bronze. He was awash in complications.

With almost as little preparation as the physician he’d observed in the afternoon, Gael closed his eyes and opened his inner gaze.

As he expected, a lattice of energea, criss-crossing to form diamond shapes, vibrated within the metal. But the diamonds were smaller, more closely packed than those of tin, while their vibration was less rapid than it should be. Small flickers of green shimmered within the lattice.

Someone had used energea to tamper with this ingot.

Gael compressed his lips. How dare anyone defile his tin. He reached for power within his heart node, guiding silver sparks along his arcs, and pushing them through the ingot, where they caught the green flickers and drew them out of the metal.

Arnoll cursed. “Cayim’s hells!”

Gael closed his inner gaze and opened his eyes.

The ingot resting in his palm now looked like what it was: an ingot of copper, warm-hued and shiny.

“Gaelan’s tears,” said Gael blankly.

He set the ingot down on the counter.

“Do you have any idea who might have done this?” asked Arnoll.

“No,” said Gael, even more blankly. He could imagine all sorts of reasons that someone might steal tin. It was valuable. But why in the north would anyone want to make an ingot of copper look like an ingot of tin? Something very strange was happening amongst Belzetarn’s metal stores.

“Neither have I,” said Arnoll. “Which was why—I did steal this ingot, Gael. And I hadn’t planned to tell you.” The smith grimaced and gestured at the ingot. “But you needed to know this.”

Gael’s teeth set hard. “Why?” His tone held an equally hard edge.

Arnoll did not mistake the direction of Gael’s question. The smith’s gaze fell, not in shame—because his face was just as set as Gael knew his own must be—but in some other uncomfortable realization.

Gael swallowed. What distressing revelation would come next in this string of bad to worse?

Arnoll looked up. “This is not my secret. Which was why I planned to keep you unknowing of it. But in the circumstances”—he nodded at the copper ingot—“you need to not have my theft mixed in with whatever else is going on.”

Arnoll settled more securely on his tall stool.

Gael glanced around, saw a stool around the counter’s corner, and snagged it to sit himself. If Arnoll was going to confess to stealing . . . Gael needed to be seated. This would not be pleasant hearing.

Arnoll nodded, grimly, and began. “The march sponsored me in Belzetarn thirty years ago. He was not the march then, of course, just one of the opteons. One of the better ones.” Arnoll’s lips straightened. “Ylian would have executed me else.”

“You?” Gael couldn’t imagine any regenen ordering Arnoll’s death.

“I held the same standard you did when you arrived here. I would not betray the unafflicted.”

“Dreas convinced you otherwise?” Gael knew that currently Arnoll believed trolls deserved protecting—thus his peace as armor smith—even while he also held that men deserved better than war with the troll horde. Gael could not slice his own loyalties so finely, but he understood Arnoll’s point of view.

“No,” answered the smith. “Dreas promised to secure me a post in which I would do no direct harm to Belzetarn’s enemies.” Arnoll sighed. “He kept that promise, not only at the beginning, but through the years.”

Gael could see where this led. “You owe him.”

“I owe him,” agreed Arnoll.

“But why tin? You thought it was tin, didn’t you?”

“The march’s troll-disease is advancing,” said Arnoll.

Gael’s belly felt abruptly cold. The truldemagar did advance. That was its nature. And in a citadel of trolls, there would always be a troll in whom it had advanced too far. But one didn’t like learning of it. And one especially didn’t like learning of it in a troll so key as the march.

“Seriously so?” asked Gael. “Requiring an end?”

“Not yet,” said Arnoll. “But Dreas sees his end, more clearly than before. And he wants to delay it. Not for himself, he says, but for Carbraes. Carbraes needs him. He says.”

Gael understood that. Carbraes and Dreas had held one another’s backs for decades. Dreas would not trust another to do so as faithfully as himself. But death waited on no one’s will, and the truldemagar less so than many hardships. How did Dreas think he could delay it?

“The march plans to follow Fuwan’s path,” continued Arnoll.

Gael’s cold belly grew colder yet.

Fuwan had been Belzetarn’s magus before Nathiar. Nathiar was already installed as magus when Gael arrived, but Gael had heard the stories. Fuwan was the oldest magus the citadel had ever possessed, and his body had shown it: spine so curled he could not stand straight, but craned his neck upward from his half-bent stance; ears so enlarged that the lobes brushed his shoulders; skin and eyes so yellowed he should have been too sick to climb out of bed.

Despite his physical deformities, Fuwan’s mind stayed clear and sound, most unusually so. But when his madness came, it came suddenly and thoroughly. One of Belzetarn’s outposts was a slagged heap of stone, melted by Fuwan’s potent and destructive energea in his death throes.

“There’s a way to follow Fuwan?” Gael demanded. “Why would Dreas want such an end? Why would you help him to such an end? Slaying hundreds of trolls—many of them young boys, no doubt—in his final conflagration? Arnoll—”

Arnoll gripped Gael’s forearm. “Hear me out,” he said.

Gael settled back, nodded.

“Dreas found Fuwan’s notes, which included his predecessor’s researches,” Arnoll explained. “Small amounts of tin ingested daily retard the truldemagar madness, but bring it on more violently when at last it comes. Dreas—eating powdered tin every morning, when he broke his fast—would outlast Carbraes. There would be no final conflagration for Dreas. Once Carbraes was gone”—Arnoll drew the edge of his hand across his throat, mimicking a knife on tender flesh—“Dreas would depart as well. By his own hand.”

Gael felt sick. The more he delved into the arrears in his tallies, the uglier it got. He could see where Arnoll’s story was going.

Gael spoke his thoughts aloud. “If Carbraes knew the march’s intention, he would forbid it. I can hear him now: ‘No troll knows the ultimate path of his disease. Let us take our chances, old friend, and live it as it comes.’ And while Dreas is willing to act against his regenen’s probable wishes, he’s not willing to disregard his expressed request.”

Gael shook his head, his lips twisting a little. “Thus, secrecy. Thus, you.” He glanced irritatedly at Arnoll. “And, thus, theft. Hells, Arnoll.” He felt disgusted, even while he sympathized.

Arnoll nodded. “That’s it in a nutshell.”

Gael’s breath huffed out. Where in the hells was he going to go with this? He’d located a thief, but not the thief who taken the ingots missing from yesterday’s tallies. Or had he?

“Was this the first ingot you stole from me?” he asked.

Now Arnoll looked exasperated. “This is the only ingot I’ve stolen. Ever. And I will not take another. I’ll ask you for the next straight out.”

Gael stared at Arnoll staring back at him.

“I understand your position,” he said finally. “But I don’t like the choice you made.”

Arnoll’s eyes continued to meet Gael’s. “I didn’t expect you would.”

Gael’s anger ebbed. Conflicting loyalties were unavoidable in Belzetarn. Or anywhere, really. He’d avoided splitting his own—thus far. But that assessment held true only if he kept his vision sufficiently narrow. Looked at with a wider gaze, Gael’s mere presence in Belzetarn represented a serious split in his faith—especially his presence as secretarius, the one who ensured that the warriors possessed weapons. He was loyal to Carbraes. Truly. And, yet, he remained opposed to the troll horde and still hoped for their ultimate defeat by the unafflicted.

Gael avoided thinking about that wider view, and now was not the time for it. He held the tin vault’s contents in trust for his regenen. He needed to decide how he would slice his loyalty within Belzetarn, between Carbraes and Arnoll.

Except that was already a given. He would never betray Arnoll, no matter how his loyalty to Arnoll nibbled at Carbraes’ interests.

Meeting Arnoll’s gaze again, he said, “Thank you for telling me. I’ll give you an ingot of tin—one untampered with—tonight.” And he would tally it properly.

“You’re missing other ingots?” asked Arnoll.

Gael nodded.

“And now this.” Arnoll gestured at the ingot of copper that had borne the semblance of tin.

“Yes.” It was three hells of a tangle. “Help me search the privy smithy. I doubt any ingots were accidentally kicked behind an anvil or under a counter, but you know Martell.”

Arnoll snorted. The armor smithy being adjacent to the privy smithy, Arnoll did indeed know Martell. And Arnoll was no fool. He likely sensed as surely as did Gael that something sinister stirred amongst the trolls of Belzetarn.

*     *     *

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The Tally Master, Chapter 6 (scene 29)

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The Tally Master, Chapter 6 (scene 27)

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The Tally Master, Chapter 6 (scene 27)

The Regenen Stair was a good deal busier than the Lake Stair. It provided the most direct route between all three great halls—stacked above one another—and the kitchens. Scullions carrying leather bottles to the bottle scullery jostled scullions toting drinking horns to the horn scullery. Porters bearing broad laving basins sped past their slower brethren burdened by heavy bench cushions.

Gael had intended to descend via the Cliff Stair, which debouched directly into the armor smithy, but habit had directed him onto the more familiar route. He steadied a messenger boy who, tripping on a porter’s heel, threatened to tumble headfirst through a bunch of his ascending fellows.

“Thanks!” gasped the boy, dashing onward.

Gael chuckled.

The messenger boys of Belzetarn were just like the page boys of Hadorgol—eager to get where they were going, equally eager to leave once they arrived. It made no difference, at their young age, whether they suffered the truldemagar or not. Later, the disease would slow the afflicted ones, but not now.

Was exile really the right choice for dealing with trolls? They were no different from men . . . until they were. That was the difficulty: knowing when the madness would claim them. And when it did, all too often, they used the dangerous energea—acrid orange—to lay waste to their surroundings. A rare few hid their insanity, doing more subtle damage for a longer interval. Neither outcome—explosive destruction or subtle corrosion—yielded anything good.

There was no good answer. But Gael could not help wondering how his life might have gone, if Heiroc had chosen to keep his magus by his side in some other capacity. Gael had bent all of his intelligence and loyalty to Carbraes’ service for the last seven years. How if he had given it to Heiroc instead, to the benefit of humans, not trolls?

Gael shook his head. He’d thought down this road so many times before, and he knew its turnings too well. Heiroc had possessed no other real options for the disposal of his friend and magus, afflicted as he was by the truldemagar.

But Gael wished his king might at least have allowed Gael the grace of claiming the necessary exile, instead of thrusting it upon him.

No. That wasn’t true. Heiroc had been generous. Heiroc had thrust nothing upon him save his beloved landseer Morza. It was Damalis who’d leapt to repudiate Gael.

And, yet, what choice had she possessed? At least she’d been honest.

Gael wanted to blame her. To blame Heiroc. But his own reason prevented him. Thousands of trolls had been exiled before ever Gael was born, and thousands more would be exiled after his death. How should Heiroc—or Damalis—solve this desperate riddle of the ages?

The footsteps on the Regenen Stair—slow tramping mingled with swift rushing, irregular punctuated by steady—and the warning shouts—“Look out!”—faded rapidly as Gael took the tunnel from the stairwell toward the forges. The light faded with equal thoroughness.

The torches in the tunnel had been doused.

Gael suppressed a curse. Had he simply followed the same routine for so long that he’d forgotten how to operate when he did something different? He’d meant to take the Cliff Stair, not the Regenen. He’d meant to bring a tallow dip, expecting the smithies to be dark, and had not brought it.

Standing in the archway at the back of the blade smithy, he strained to see.

Was that a glimmer of light on the far side of the forges that clustered around the central flue?

He squinted. His eyes adjusted. And—yes—someone in the armor smithy—no doubt Arnoll—had remembered the need for lighting at this hour.

Gael stepped forward cautiously into the gloom. If he felt before him, he should be able to maneuver around the work counters in the blade smithy, the tool racks in the tin smeltery, and the anvils in the annealing smithy without more than a stubbed toe or a barked shin.

His eyes adjusted further as he moved forward, and the glow from the armor smithy strengthened.

Reaching the low wall on the far side of the annealing smithy, he paused.

Arnoll settled one haunch on a tall stool, his burly shoulders casting a large shadow. Two tallow dips flickered on the work counter beside him, lighting his face from below, accentuating the deformed curve of his troll nose and casting his eyes into darkness. The smith looked . . . evil.

He studied the object he held in his right hand.

An ingot of tin.

*     *     *

Next scene:
The Tally Master, Chapter 6 (scene 28)

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The Tally Master, Chapter 6 (scene 26)

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The Tally Master, Chapter 1 (scene 1)

 

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Newly Released! Sovereign Night

Join Gael and Keir on their hunt
for the lodestone…

My new novel, Sovereign Night, is out!

Something’s far wrong in Hantida.

Reavers comb the streets of the river city by night, crashing gauntleted fists on a residence gate or a workshop door, and taking . . . a child, a grandmother, or some sleeper who thought himself safe.

Gael and Keir—newly arrived in Hantida on a quest for healing—must penetrate the rotten core of secrets, intrigue, and conspiracy fueling the abductions.

Sovereign Night is the sequel to The Tally Master. If you’ve not yet read Tally, you can pick up a digital copy on sale for 99 cents. I’m discounting it for a week to celebrate Sovereign’s release.

Both books are available as ebooks and as trade paperbacks.
Global link to The Tally Master
Global link to Sovereign Night

Go check out the Look Insides! 😀

 

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Hantidan Garb

Although I draw inspiration from the history and cultures of the real world for my stories, I don’t reproduce reality wholesale. Which means that when I seek out images to represent elements of my fiction, I rarely find any that exactly match the visions I entertain in my imagination. I must make due with photographs and artwork that are almost what I have in mind, or close.

Luckily, almost and close often convey quite a bit. 😀

One consistent feature of Hantidan garb is that it possesses an asymmetric closure, with fastenings that run down the front, along one side, from neck to hem.

The peasants who work in the rice paddies, fish the river, or cut reeds in the wetlands wear linen jackets over skirts or wide trousers. Their garb needs to be practical, permitting free movement of the limbs, durable, and comfortable in the hot, humid climate.

The portrait of Kan Gao (at right) does not have the Hantidan side closure, but the jacket, skirt, and trousers otherwise mimic the Hantidan garb of a country laborer quite well.
 
 
 
 

City dwellers with less physically demanding jobs tend to wear robes. Apprentices, messengers, journeymen, clerks, delivery men, and other workers sport robes of drab linen.

Master artisans, scribes, business owners, and well-to-do professionals chose well-dyed linens, often adorned by tassels on the sleeves and shoulders.

A sash worn over the shoulder secures a pouch for carrying coin, abacus, or other tools used often in their respective trades.
 
 
 
 
 
 

Senior servants and palace functionaries wear silk robes, but in subdued colors.

The garments worn by the hanfu promoters at right are secured by sashes, whereas my Hantidans would find a snug binding around the waist too hot. But aside from that detail, the dark green silk and monochrome edgings are very like some of the robes Gael and Keir see while sojourning in the Glorious Citadel.

Dark green, dark blue, and dark yellow are common colors, as is dark gray, the robes donned by Gael and Keir.
 
 
 
 

Wealthy merchants and lesser nobility flaunt silk robes in brilliant colors: crimson, orange, turquoise, leaf green, sky blue, and so on. The most privileged might possess tone-on-tone patterns woven into the fabric, but sumptuary laws prevent more elaborate designs.

The sokutai attire shown at right depicts the shimmering brilliance typical of garments worn by the rich and powerful of Hantida, but lacks the asymmetric neckline and side closure of their robes.
 
 
 
 
 
 
 

Only the elite among the nobility are permitted to wear elaborate, patterned brocades. Their luxurious robes are commonplace within their city palaces, on their country estates, and within the Glorious Citadel.

But they are rarely seen on the streets of Hantida. The elite take the air in secluded courtyards and gardens or hunt on broad private acreage. When they travel from one city residence to another, or from rural estate to urban mansion, they occupy curtained palanquins more often than not.

The first such robes encountered by Gael and Keir are fashioned of “an ornate brocade depicting herons lifting in flight.” The second feature “a tracery of green leaves and lizards upon a bronze ground.”

The traditional wedding dress (above at right), although beautiful, would be considered a simpler design among the high nobility of Hantida.

The robes worn by Emperor Qianlong (immediate right) are more typical garb for the highest of the high Hantidans.
 
 
 
 
 
 
 
 
 

The guards standing sentry duty on the walls of the Glorious Citadel wear bronze scale mail, but the silhouette of their armor is very similar to the ceremonial armor depicted in the portrait (right) of Emperor Qianlong.

For more about The Sovereign’s Labyrinth, see:
Timekeeping in Hantida
The Baths of the Glorious Citadel
A Townhouse in Hantida
Quarters in the Glorious Citadel
A Library in the Glorious Citadel
That Sudden Leap

 

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Timekeeping in Hantida

The Sovereign’s Labyrinth is an adventure mystery with a good bit of action and fighting.

It’s not a brain-bender mystery like the clever Five Red Herrings by Dorothy Sayers, in which the time tables of trains prove integral to solving the plot.

Nor is it a mystery of manners like Georgette Heyer’s witty Detection Unlimited, in which the behavior of clocks plays an important role.

Nonetheless, as I wrote The Sovereign’s Labyrinth, I found myself thinking about timekeeping and how the Hantidans did it.

Since the story takes place in the Bronze Age of my North-lands, the Hantidans would not be telling time with clocks or watches or digital phones. So how did they do it?

The earliest timekeeping devices in our own history were sundials. In sunny climes, they worked well…by day. But what about the night time? And what about places with cloud cover?

Hantida has a wet season and a dry season, but even in the dry season, a storm comes through on many days. Which meant that even if they used sundials, they probably used something else to supplement them.

Drawing again from history, I had sandglasses (hourglasses), candle clocks, incense clocks, and water clocks as options.

Some historians speculate that the ancient Greeks and ancient Romans used sandglasses. They certainly had the technology necessary to make them. But the historical record does not contain actual mention of them as it does of water clocks. No one seems to be sure when sandglasses were invented and first used, but it may have been as late as the Middle Ages.

I am not absolutely strict about anachronisms in my North-lands—I write fantasy, after all—but I like to use real history as a guide. So I decided against sandglasses for my Hantidans.

The earliest mention of candle clocks comes earlier than those of sandglasses, in a Chinese poem written in 520 AD. That’s slightly better than the Middle Ages, but candle clocks have other disadvantages, namely that it’s hard to get the wicks and wax uniform enough to prevent inaccuracy in their timekeeping. Drafts were also a problem with the even burning of the candles.

Besides…520 AD still remains a lot later than 1500 BC!

(In the west, the candle clock bore regular markings on the column of wax. In the east, weights were attached to threads embedded in the wax. As the candle burned down, the threads were released, and the weights dropped into a plate below with a clatter.)

Before my research into timekeeping, I’d never heard of incense clocks. When I did— Wow! Just, wow! I fell in love!

Evidently incense can be calibrated more accurately than candle wax, so incense clocks are more accurate than candle clocks. And differently fragranced incense can be used in rotation, so that different hours are associated with different scents.

I had only one problem with bestowing incense clocks on my Hantidans. I absolutely knew that the Daoine Meras, the people in the next Gael & Keir Adventure, use incense clocks.

I didn’t want to repeat myself!

So my Hantidans received water clocks.

Actually, water clocks are pretty cool. And they appeared in Babylon around the 16th century BC, perhaps earlier still in ancient China (4000 BC). Water clocks and humans have been together for a very long time!

The earliest water clocks were outflow clocks. That is, the water flowed out from a hole in the bowl. As the water level fell, it passed markings on the inner surface that indicated the time. Often the dripping water was not caught by another vessel, but allowed to absorb into the sand or earth below.

Later water clocks were inflow clocks, in which water from an upper vessel flowed through a calibrated channel into a lower bowl. The inner surface of the lower bowl was marked, and as the water level rose, it indicated the time.

The Persians used yet another style to ensure that the water from their underground irrigation channels was distributed evenly among the farms sharing a given aquifer. They placed a small bowl with a calibrated hole in a larger bowl filled with water. The water flowed through the hole to fill the smaller bowl. When it sank, the clock manager would place a pebble in a container to count that iteration, pour the water back into the larger bowl, and then start the small bowl filling again.

I suspect my Hantidans use the inflow model of water clock.

But how did the Hantidans get started with timekeeping?

There’s plenty of water in Hantida: the river, the monsoons, the near-daily rain in the dry season, and a generous water table below ground. They wouldn’t have needed to divide water so carefully as did the Persians.

Here, real world history came to my rescue once again.

Some of the ancient cities were very populous, counting a hundred thousand people within their walls along with great wealth. They built walls to protect themselves and manned those walls with sentries who stood guard through both day and night.

The sentries needed to know when their watch was up and when the next one started. Timekeeping was required!

That made sense for Hantida.

I could just see the Keeper of the Watch sounding the drum in his tower on the city walls when the Keeper of the Clepsydra announced the first beat of the evening watch. And then, all over the city, itinerant time keepers would ring their chimes in echo of the drum beat.

I decided to model the Hantidan schedule of watches after those used by sailors.

Each day possesses seven watches. Five of them are 4 hours long. Two of them are but 2 hours long. This ensures that the sentries rotate through the watches, rather than staying with the same one indefinitely.

Each long watch has eight beats or chimes, each short watch, only four.

Midwatch     midnight – 4 am
Morning Watch     4 am – 8 am
Forenoon Watch     8 am – noon
Afternoon Watch     noon – 4 pm
Aja-watch the First     4 pm – 6 pm
Aja-watch the Second     6 pm – 8 pm
Evening Watch     8 pm – midnight

So…did Hantidan timekeeping come into The Sovereign’s Labyrinth at all? Or was it one of those fun bits of research that never make it onto the page?

I’m not telling! 😉

For more about The Sovereign’s Labyrinth, see:
The Baths of the Glorious Citadel
A Townhouse in Hantida
Quarters in the Glorious Citadel
A Library in the Glorious Citadel
That Sudden Leap

 

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The Baths of the Glorious Citadel

“The Hantidans know how to draw a bath,” Gael agreed.

Although the real benefit of the palace baths might be that a quiet bather could overhear useful gossip.

I must side with Gael on this one. Hantidans do indeed know how to draw a bath. I envisioned the Hantidan bath as resembling those of the Japanese: very deep, very hot, and including a view through a sliding screen of a stylized garden.

If I could visit Hantida right now, their baths would definitely feature in my itinerary!

In the morning, Gael returned to his room from the baths pleasantly relaxed and smelling of herbal soap. Unusually for him, he’d kept thinking at bay during his soak, focusing instead on the physical sensations—the extreme heat of the water Hantidans favored, its depth—well over his shoulders—the scented steam, the beauty of the sunlight on the bamboos right outside the partially open screens.

In spite of their lure, however, I initially categorized the Hantidan baths as an appealing detail of the setting and little more.

But as I moved more deeply into The Sovereign’s Labyrinth, I realized they served as more than evocative window dressing.

“I heard two gentlemen talking in the baths, gossiping about last night’s accident. Interesting that they classified it as an accident, by the by,” he added.

In the baths, Gael and Keir would learn clues to the mystery they encountered in the Glorious Citadel. They would discover new suspects to question. And Gael would have an informative encounter there.

It was down around a corner of the tile passageway and bigger than the rest of the tubs Gael had seen in the palace, with room enough for four.

Zithilo lounged in one corner of the bath, lanky legs stretched out before him along the tub floor, gaze fixed on a close, engoldened slice of slope visible through the open screen—afternoon was giving way to evening—overgrown by ferns, mosses, and shrubs. He was tall, skinny, and muscular. He didn’t bother to look over his shoulder when Gael’s step sounded in the doorway.

“Get in!” he urged. “The water is fine!”

Gotta stop there to avoid spoilers!

So…what do the baths look like?

Well, the photo at the top of this post shows a bath similar to the one that Zithilo invites Gael to share. And the photo at right has the feeling of the corridor giving onto the individual baths.

The baths were arranged along a narrow side corridor of white tile, a tall and solid wall on Gael’s left, a shoulder-high wall punctuated by a dozen open doorways on his right. Each doorway connected to a small cubical with hooks and a wooden bench, and a farther doorway to a square, sunken tub with a view onto a moss garden.

Steam wreathed the air, along with the scent of herbal soap.

There are many bath houses within the Glorious Citadel, and the approach to each is the standard roofed walkway that runs along the edges of the courtyards and gardens and beside the walls of the pavilions that compose the palace.

The Sovereign’s Labyrinth has grown under revision. The first draft came in at 78,000 words. As I write this blog post, the novel stands at over 95,000 words. I’ve edited and revised the first 75,000 of those, so you can see that I am closing in on the end. I hope to send the manuscript out for its next beta read soon!

For more about the setting of The Sovereign’s Labyrinth, see:
A Townhouse in Hantida
Quarters in the Glorious Citadel
A Library in the Glorious Citadel
That Sudden Leap

 

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That Sudden Leap

I researched and planned for The Sovereign’s Labyrinth for nearly two months. As the story grew in my mind, I found myself often murmuring, “Oh! That’s so cool! I can’t wait to write that!”

Concept for the bridges into Hantida’s Glorious Citadel

I finally did start writing on November 9, and the actuality not only lived up to my expectations; it surpassed them. How often does that happen? But it really did happen with this novel.

Each scene had me rubbing my hands in anticipation as I prepared to write it, and gasping at the end, “Oh, that was cool!”

I suspect that is why my word count mounted up so quickly. I was writing as though I were a reader, saying, “Just one scene more,” and staying up too late at night for it!

But that’s not why the progress bar in the side bar of my website leapt abruptly ahead.

Concept for the moat surrounding Hantida’s Glorious Citadel

If you’ve been watching it, you’ll have seen the word count increasing from between 1,000 to 2,000 words most days, while the blue stripe moved steadily rightward.

Then, yesterday, as it was crossing the 50% mark, it jumped past the 90% mark. What’s up with that? Did I do a spot of time traveling, so that I could write 50,000 words one night between dusk and dawn?

Well, no.

Whenever I start a book, I’m essentially guessing about how long I think it will be. The Sovereign’s Labyrinth was definitely going to be a full novel. But was it going to be a doorstopper novel of 160,000 words? I didn’t think so. As cool as it seemed, it didn’t feel l-o-n-g.

Concept for an interior garden within Hantida’s Glorious Citadel

So I estimated that maybe it would be 130,000 words, and that is what I used to calculate the percentages on the progress bar.

Once I was well into the writing of the novel, I began to suspect that it might be 100,000 words. But would it really?

I don’t like to monkey around with a gazillion different estimates while I’m writing a book. It would just distract me, when I want to reserve my brainpower for storytelling.

So I left that 130K alone, figuring I’d adjust it when I got closer to the end.

Of course, you know what happened with that! The closer I was to the end, the more exciting the events in my story became. I was writing late into the night, sometimes past midnight. Yikes!

Which meant that I was too sleepy at night to bother with the progress bar, and too excited about jumping into writing in the morning to do it then.

But today (Thursday, January 31, as I write this—or was it yesterday? bad memory!) I said, “C’mon, Jessica! Time to get that progress bar within striking distance of a reasonable total. You’ve got 71,000 words written and another four or five big scenes to go. Call it 80,000 and adjust that bar.”

So I did!

I have to catch up on sleep, so I am forcing myself not to start the next scene (I already wrote two today), even though I really, really want to. But, tomorrow? I am so going to dive on it!

I found the photos accompanying this post during the research I did for building the world of Hantida, the city in which The Sovereign’s Labyrinth takes place.

If you’d like to see more of such world building, check out:
A Townhouse in Hantida
Quarters in the Glorious Citadel
A Library in the Glorious Citadel

 

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A Townhouse in Hantida

This week I’d envisioned myself showing you the world of my book that will release in March. The protagonist lives in a cool medieval castle, and I’ve got floor plans and photos to share!

But those floor plans have not yet been transformed from rough sketches into clear drawings that will make sense to someone other than me. I will finish those drawings, but in the meantime…

I’ve been writing the first few scenes of The Sovereign’s Labyrinth, the sequel to The Tally Master. I’m really excited about the story. I feel like I am there in Hantida with Gael and Keir. Hantida is a large city surrounded by rice paddies and near to a river.

I needed a rough sketch of the house Gael and Keir visit in the first chapter. I used the machiya of Kyoto (traditional townhouses from Japan’s Heian period) as my model.

A rough sketch was all I needed, but I grew so enamored of the architectural beauty of the structure that I was beguiled into making my rough sketch into a finished drawing.

Naturally I want to share it with you!

0—The Front Street Most of Hantida’s streets are dirt, but a few are paved with stone. In the shopping district, where the shops are fronted by roofed arcades, there are raised stepping stones at the street corners so that pedestrians can cross above the muck of the road.

1—Front Room If the family kept a shop, then this front room would be the space where their goods or services were offered, and where customers could enter, either directly from the street, or through the entrance courtyard on the side. It’s a private room for the family that Gael and Keir have come to help.

2—Entrance Courtyard A pocket courtyard, graveled, and adorned with pots of bamboo. A tall, sturdy gate gives access to it from the street.

3—Entrance Foyer Visitors to the home remove their shoes in this stone-floored space.

4—Entry Hall A niche off the main reception room. The floor is wood, but your shoes should be off!

5—Reception Room Visitors are received and entertained here. Thick mats of rice straw and woven rushes cover the floor. Sitting cushions (and sleeping quilts) are stored in low cabinets along the walls. A low table makes serving food easy. Sliding screens of rice paper give access to an adjacent room and to an outdoor walkway (8).

6—Private Room

7—Kitchen A long room with a stone floor and clay walls, due to the fire hazards inherent in cooking over a bed of charcoal.

8—Wooden Walkway The walkway is out of doors. It brings light and air to the interior spaces of the townhouse.

9—Garden Storage A closet for the watering can, spades, and other implements needed to tend the garden (10).

10—Garden A small, but carefully-tended pocket of greenery.

11—Bath My Hantidans like to soak in deep wooden tubs full of very hot water.

12—Stone Passage This short passage to the side yard is roofed, but out of doors. A small chamber on one side holds a chamber pot. Another holds a counter where basin and ewer allow for washing up.

13—Side Yard Any particularly messy chore can be accomplished in this graveled space. A few raised plots of earth near the back permit some vegetables for the table to be grown.

14—Storage House A clay-walled chamber where costly robes, scrolls, and ornaments and furniture for the off-season are stored.

15—Yard Storage

16—Steps A walk connects to the back alley, where the night soil cart passes, the refuse collectors, water carriers, etc.

17 Back Alley

What happens in my Hantidan home?

The Sovereign’s Labyrinth opens with Gael and Keir newly arrived in the city of Hantida. They’ve been healing their way across the continent, Keir using the skills she earned in her professional training, Gael learning how to be a physician’s assistant under her supervision. They make a good team.

Whenever they arrive somewhere new, word spreads quickly of the amazing cures they bring off. Hantida is no different, and they are summoned to attend a 12-year-old girl who is badly burned.

En route to the girl’s home, they witness a peculiar, aborted arrest. After they arrive, complications—both medical and non-medical—begin to pile up.

The lodestone they are seeking is present in Hantida, but acquiring it will not be at all straight forward. There’s a mystery at the city’s heart, and our duo will have to solve it to win out.

For more about The Sovereign’s Labyrinth, see:
Quarters in the Glorious Citadel
A Library in the Glorious Citadel
That Sudden Leap

 

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The Dark Tower

My inspiration for The Tally Master came as a sort of vision, although “vision” is a misnomer, given that the sense of sight had little to do with it.

I felt as though I were Gael as he sat in a small and gloomy chamber hollowed from the thick stone wall of a dark lord’s dark tower, hunched over a parchment, quill scratching tally mark after tally mark.

There wasn’t much light, just flickers of firelight and shadows and the sensation of great weight pressing my shoulders down and my spine into an uncomfortable curve, while sound filled the air around me.

The roaring of great forges deafened me. The clanging of smiths’ hammers on beaten bronze clamored. Sudden shouts made my heart contract in alarm. Spurts of running footsteps pounded in a nearby stairwell.

Gael and the sounds of his setting seemed very real, and I wanted to tell his story. I knew that he was a troll and that he managed the wealth – the metals – for his dark lord, but I didn’t know much else.

So I engaged in the process that has become so familiar and effective for me over my years of telling stories. I asked myself question after question, made extensive notes of my answers, and drew bunches of maps and floor plans. Over several months, I came to know a lot about Gael, about his overlord (not quite the typical “dark lord” at all), and about Belzetarn, the citadel that was their home.

In my initial stabs to make Belzetarn match the feeling I had for it, I placed the kitchens in the tower proper, which was utterly wrong. I was so relieved when I realized that they were located within a sort of annex slabbed onto the lower southeastern side of the tower. Once I got that piece, the rest of the fortress almost fell into place by itself, although it took me a while to draw it all.

My goal was always to sculpt the physical form of Belzetarn to express the mood and the ambience of my initial inspiration.

The style of this drawing doesn’t truly hit the mark. The photo at the beginning of this post does that better. But the design of the tower itself is close to right. It’s tall – very tall – it’s dark, it possesses clawed protrusions at the top and a lumpy, spiky annex on one side. Plus, all the chambers and offices are in the right place, as you can see when you slice the tower in half.

For more about the world of The Tally Master, see:
Gael’s Tally Chamber in Belzetarn
Mapping Ancient Rome onto Belzetarn
What Does the Tally Master Tally?
Map of the North-lands in the Bronze Age
The Fortress of Belzetarn
Belzetarn’s Smithies and Cellars
Belzetarn’s Formidable Entrance Gate
Belzetarn’s Treasures
Belzetarn’s Great Halls
Bronze Age Swords
Brother Kings

 

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