Bazinthiad, a Quick Tour

Bazinthiad occupies a low peak on the coast of the Bay of Istria. The original settlement hugged the shore of an inland lake, but the building of aqueducts from the Delkan Hills to the northwest permitted the expansion of the small trading post on the Marcehaven Harbor, a natural anchorage along the bay. Recently, the invention of steam engines facilitates pumping lake water into the city supply channels. The increased reserves are encouraging new building beyond the old city walls.

The Imperial Pivot sits atop Bazinthiad’s mountain with other important civic buildings nearby. The steep slopes to the south feature terraced townhouses where dwell wealthy citizens and those prominent in government. The mansions of the nobility lie on the gentler western incline. Merchant homes and warehouses cluster near the harbor.

The older parts of city spread across the northern skirts of the Mount Epiyrus where the road from Lake Arghed debouches.

Fallon (1) Fallon is a handmaiden of the Divine Mother, Sias. She embodies the longing that urges wanderers to seek the road or the high seas. A colossal gilded statue of Fallon in her sailing regalia punctuates the high western point of land at the harbor entrance. She steers a ship’s wheel with her right hand while holding aloft a ship’s lantern in the left. The lantern – fueled still by old-fashioned lamp oil – functions as a beacon by night and in bad weather.

map of the capital of GiralliyaZele (2) Zele is the handmaiden of Sias dedicated to light and clear speaking. Her portrait – another gilded statue on a towering pedestal – graces the low eastern point of land enclosing the harbor. She brandishes her traditional blazing star, a confection of crystal with a burning gas jet at its center that stays alight day and night.

Beacon Hill (3) The western point of land rises nearly fifty feet above sea level, and its shoreline features vertical cliffs surmounted by the walls of an old fortification. Cannons have long since replaced the trebuchets that originally defended the harbor, but the guns see more ceremonial salutes than real warfare. Beacon Hill is a popular destination for runners and picnickers.

Leyjono Island (4) Once part of the harbor fortifications, the island is now a city park reached by regular ferry service. Upon their arrival in Bazinthiad, Helaina’s children visited the golden monkeys housed in the park.

Linnanousi Museum (5) A natural history museum displaying artifacts from ancient tribal peoples, geological specimens, and trilobyte fossils. It’s newest exhibit features the dinosaur skeleton that Lorelin wished to show to Bazel.

The Liyzapella (6) The park immediately adjacent to the Imperial Pivot. Gabris of Troll-magic first sets eyes on the emmissaries from Elamerony as these flamboyantly garbed folk ascend the last stairway up from the Liyzapella.

The Imperial Pivot (7) The seat of Giralliya’s government. It houses chambers for the empire’s three legislative bodies and office space for the exemplars, the paucitors, and the princes and kings. The imperial ministers have their headquarters, along with work space for their larger staffs, in neighboring buildings.

Empyrean Palace (8) City residence for Emperador Zaiger.

Lantern Park (9) Bazinthiad’s botanic society tries out their proven new finds from the plant world here in spectacular flower displays. The park acquired its name when it became the first public space lit by gas lanterns instead of oil lamps.

Nousiyan Library (10) A city library specializing in musical scores. Lorelin especially appreciates the collection.

The Old Armory (11) Headquarters for the Sentinel Watch (the military arm of the Ministry of Incantors). In Troll-magic, Gabris and Panos organized the experimental healing of Mabiogia in the gymnasium space (previously a chapel) of the armory. Blood Falchion and Hunting Wild transpire in the fortification 2000 years and 1200 years respectively before the time of Troll-magic.

Newcastel (12) Ancient by the time of the events in Troll-magic, Newcastel (Castel Zaphiron) was commissioned by King Xavo of Hunting Wild.

Custom House (13) Caravans of mussel shells, silk, and dried lavender buds once arrived at the city’s east gate. The pack animals were stabled at Custom House while the trade goods were unloaded. More varied stuffs arrive there now via a spur to the rail line. The terrain did not permit the routing of the line into the city, so wagons transfer the goods from the rail station to Custom House.

Navellysmote (14) Ancient seat to a line of disloyal lords, the Navellysmote became an imperial possession used in defense of the Marcehaven Harbor. It currently serves as a museum featuring artifacts from the era of sea battles between sailing ships.

Quay House (15) A vast indoor market that rents goods stalls to seafaring merchants. A smaller area on a partial second floor houses a captains’ club and posh bed chambers to accommodate both ship’s officers and the merchants themselves.

Institute of Medicinal Flora (16) A college of scholars investigating all facets of the realm of medicinal healing. Helaina purchases a student’s membership upon her arrival in Bazinthiad.

Chamber of Exemplars Each canton of Giralliya elects two exemplars to represent their interests within the imperial government. The Thricely Odd Troll tells the story of how Giralliya came to have its Chamber of Exemplars.

Chamber of Princes and Kings The Empire of Giralliya borrows the hierarchal structures of its conquered territories and gives them a role in the imperial government. Each prince or king (or caliph or mogul or rajah) represents the interests of the principality or kingdom from which he or she hails.

Chamber of Paucitors The office of paucitor was created before that of exemplar to balance the overwhelming influence of the conventionally prestigious and powerful. One paucitor from each canton is selected by lot to serve a term of five years. The Emperador may appoint additional paucitors under specific circumstances. The Legend of the Beggar’s Son tells the tale of the first paucitor.

Audience Chamber A grand throne room used more on ceremonial and festive occasions than for governing. The offices of the Pivot occupy the top floor of the same corner tower.

Verging Antechamber In days gone by, the Verger was always an antiphoner. Any petitioners wishing to approach the emperador held his rod of loyalty and repeated an oath of commitment to the wellbeing of the imperium while the Verger scanned their radices and arcs antiphonically. Now the Ministry of Palladia does background checks of all entrants on the petitioners’ list.

The Gallery Tiers of stepped benches accommodate all sixteen ministers plus their adjutants and the envoys from the three legislative chambers when the full imperial cabinet meets.

Russet Library Stocked with scrolls and books of history and governmental precedent often consulted by the emperador. Also used by gatherings smaller than those of the full cabinet. The meeting where the reader meets Gabris in Troll-magic takes place in the Russet Library.

The Pivot The emperador’s executive privilege operates from these precincts. Here Zaiger signs into law the acts proposed by any of the three legislatures and ratified by the Chamber of Exemplars. From the Pivot’s windows, Gabris watches the approach of the Elameronean delegation.

The Sanctum At intervals throughout his day, Zaiger practices the postural sequences beloved by most of the Giralliyan populace. An advanced practitioner, he engages in meditative focus and breath techniques as well. His staff and advisers know not to disturb him during his brief visits within his Sanctum.

For more about the world of Troll-magic, see:
Who’s Who in Troll-magic
Families in Troll-magic
Bazinthiad’s Fashions
Magic in the North-lands
Magic in Silmaren
Radices and Arcs
Mandine’s Curse
The Suppressed Verses
Character Interview: Lorelin
The Accidental Herbalist
What Happened to Bazel?

 

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Amazing Lactobacilli

photo of corn, tomato, onion melange in canning jarSix weeks ago I made a quart of lacto-fermented corn relish. It was an experiment, because corn in its ordinary state – boiled, slathered with butter, and gnawed from the cob – makes me very ill. Sad, since I love the taste. I hoped lacto-fermented corn might not irritate my system When our CSA delivered yet another eight ears of corn, I decided to risk it. And it went well! I can eat lacto-fermented corn with nary a murmur from my digestion. Plus it tastes like seconds, thirds, and fourths!

(I know. I said that before about the eggplant dish below, but it’s true!)

images depicting traditional peoples from around the worldSo let me tell you about lacto-fermentation. The corn relish recipe was my own creation, but I learned the principles from Sally Fallon’s Nourishing Traditions.

Lactobacilli – lactic acid producing bacteria – are everywhere. They thrive on the surface of all living things and are particularly numerous on the roots and leaves of low-growing plants.

Lactic acid is a natural preservative. It inhibits the action of bacteria that produce decay. Before the invention of freezers or canning machines, cooks preserved vegetables and fruits by lacto-fermentation.

The benefits of lacto-fermentation go far beyond mere preservation, however.

Lacto-fermented foods:
• are more digestible
• make their nutrients more bio-available to our bodies
• possess higher vitamin levels
• acquire many helpful enzymes during lacto-fermentation
• include substances that kill harmful bacteria and prevent cancer
• promote the growth of healthy flora along the entire length of the intestine.

Lacto-fermented or “pickled” cabbage was (and is) popular worldwide. Europe developed sauerkraut; Latin America, cortido; Korea, kimchi; and Japan, tsukemono. But many other vegetables (and fruits) respond delisciously to lacto-fermentation: cucumber, corn, and watermelon rind, to name a few.

Lacto-fermentated foods are easy and fun to prepare at home. There’s something magical to the process – a little like baking, in which dough transforms into bread or cake or cookies, but requiring less hands-on prep and little precision.

The basic recipe goes as follows. Wash your fruits or vegetables thoroughly. Chop or shred or grate them and mix with sea salt and homemade whey. Pound the mix briefly with a wooden mallet. Then press the mass into a canning jar, leaving an inch of headroom at the top, and seal firmly. Leave the jar at room temperature for two to four days, then refrigerate. Fruits will keep for two months. Vegetables stay good indefinitely. (Experts consider sauerkraut to be best after six months!)

Speaking of sauerkraut, here’s a bit of trivia about it and a famous navigator of the past. Captain Cook loaded sixty barrels of the stuff onto his ship before embarking on his second trip around the world. None of the crew developed scurvy. (Sauerkraut has a lot of vitamin C.) And twenty-seven months later, when Cook was nearing home again, the last barrel was opened. It remained perfectly preserved – despite its long journey through every kind of weather and warmth – and delicious. When served to Portuguese nobles visiting aboard, the partial barrel was carried away to share with friends!

One more jot of trivia: ketchup was once a lacto-fermented food. The word derives from ke-tsiap, a Chinese Amoy term for a pickled fish sauce. (Fish sauce was the universal condiment of the ancient world.) The English added mushroom, walnut, cucumber, and oyster to fish sauce to create their own version. Then Americans added tomatoes for another unique take on the flavor enhancer. American ketchup is now largely high fructose corn syrup, but it is possible for the home cook to return to the old artisanal method of concocting it. (But that’s another blog post!)

What about my corn relish? Are you clamoring for the recipe? It’s worth trying, but I’m going to recommend that you start with sauerkraut instead. Corn relish is a simple recipe, but sauerkraut is the most basic of all. And I think you’ll be delighted with its taste – much fresher than the vinegar-laden and pasteurized stuff from the grocery store. I promise I’ll post the corn relish recipe when fresh corn is back in season!

Update: Corn did eventually come back in season, and I made more corn relish! The recipe is posted here.

Sauerkraut

1 large cabbage

2 tablespoons sea salt
(not ordinary shaker salt, which has additives that damage lacto-fermentation)

1/2 cup homemade whey
(draining and using the excess liquid from any yogurt with live cultures works fine)

The cabbage should be of high quality and preferably organic. Pesticide residues can kill lactobacilli and interfere with lacto-fermentation.

Wash the cabbage, peel off the outermost leaves and discard, and remove and discard the stem stalk and the densest part of the core. Then shred the cabbage. The grating attachment in a food processor works nicely, but you can also simply slice the cabbage with a chef knife.

Put the shredded cabbage in a large, sturdy bowl. Add the salt and the whey. Lightly pound the mixture with a wooden mallet for 10 minutes to release the cabbage juices.

(I know. My mallet is metal, and it shouldn’t be. A wooden one is on my shopping list. Why? The whey can damage metal utensils over time. As you can see, my meat pounder is undamaged after 2 years of use. But I still intend to get something wooden. Just not in any rush!)

Transfer the mixture into a pair of quart-sized canning jars. Press the cabbage down firmly in the jars until the juices come up to cover the cabbage. Be sure there is an inch of headroom between the cabbage and the lids. The cabbage will expand slightly while lacto-fermenting. Tighten the lids securely. Lacto-fermentation is an anaerobic process.

Let the jars rest on your counter at room temperature for 2 – 4 days (2 if it’s summer or you’re using the oven a lot, 4 if it’s winter and you keep your house cool).

Then move the jars to the fridge. Let the kraut mature for 3 weeks to develop the best flavor. Serve!

Some people add caraway seed to the ferment. I tried it, but find cabbage straight up to be tastiest!

Once you’ve eaten a serving of your batch, visit here again and tell me what you think! Good?

 

For more Nourishing Traditions posts, see:
Yogurt & Kefir & Koumiss, Oh My!
Handle with Care
Beet Kvass

More Recipes
Sautéed Eggplant
Coconut Salmon
Baked Carrots

 

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Livli’s Gift is Here!

art by Kay Nielsen depicting a queen in her gardenSome of you have watched a Twitter stream of plot teasers while I wrote Livli’s Gift. Some of you have followed my progress notes on Facebook. And some of you have simply waited patiently. But wait and watch no more. Livli’s Gift is finished and ready to be enjoyed!

Livli heals challenging injuries among the pilgrims to Kaunis-spa. Its magical hot spring gives her an edge, but Livli achieves spectacular cures mainly because she refuses to fail.

A pioneer, she hopes to match her new ways for banishing hurt with new ways of living.

But the sisters of Kaunis-lodge fear rapid change. What precious things might they lose while tossing old inconveniences?

Livli pushes forward the new, and one influential foe pushes back. Kaunis-home will keep its revered traditions, even if Livli loses almost everything.

Everything . . . and the one thing she absolutely cannot lose.

Livli seeks an answer in the oldest lore of her people, something so ancient, it′s new. But mere resolve against failure meets an immovable counter force this time. Victory requires more.

Must surrender spell defeat? Or could letting go harness real power?

Livli’s Gift is available as an ebook in electronic bookstores.
Amazon I B&N I Diesel I Kobo I Smashwords

For lovers of print, the trade paperback edition is coming this summer!

 

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Cover Design Primer

This summer I attended a publishing workshop. Cover design formed part of the conversation, and I learned some critical details about it. My architecture background and my previous publishing experience meant I was doing a lot right, but I could do better. Not surprising! Architectural design classes don’t include typography and other elements of graphic design.

When I returned home from the workshop, I dove into tweaking all the covers for my stories. I’ll show the before and after versions. I find it fascinating that such small adjustments make such a big difference. But first I want to share a few basics from the workshop. (C’mon! It’ll be fun!)

First, type fonts.

There are six main categories of fonts.

Old Style – Traditional serif fonts that have been used for centuries. They are easy for the eye to follow, guided horizontally by the bottom serifs. They feature gentle transitions between the thick and thin strokes forming the letters.

Goudy, Baskerville, Garamond, and Palatino are examples of old style fonts.

Goudy, Baskerville, Palatino, Garamond

 

Modern – Bold and eye-catching with extreme transitions between thick and thin. They have a cold, elegant look that works well on movie posters and some book covers (but not in the interior of a book).

Braggadocio and Engravers MT are both modern fonts.

 

Slab Serif – These fonts make all the strokes thick, abandoning thin altogether, even in the serifs. Slab serifs have impact, but it’s easy to overuse them, even on a cover. (They are not suitable for book interiors!)

Blackoak, Cooper Black, Rockwell Extra Bold, and Wide Latin are slab serif fonts.

Blackoak, Cooper Black, Rockwell Extra Bold, Wide Latin

 

Sans Serif – These fonts also have no thick-thin variation. They are monoweight. And they have no serifs. They are easy to read from a distance and respond well to variations in absolute size.

Helvetica, Charcoal, Skia, and Impact are sans serif fonts.

Skia, Helvetica, Charcoal, Impact

 

Script – Script fonts resemble cursive handwriting. Use them like chocolate torte. Very sparingly!

Apple Chancery, Brush Script, Gabriola, and Lucida Handwriting are all script fonts.

Apple Chancery, Brush Script, Gabriula, Lucida Handwriting

 

Decorative – These fonts are so decorative they almost become illustration. One letter might be enough!

Zapfino, Desdemona, Herculanum, and Lucida Blackletter are decorative fonts.

Zapfino, Desdemona, Herculanum, Lucida Blackletter

 

Three rules for choosing fonts for a book cover:

Never use more than one font from each category.

That is, Braggadocio (modern) and Helvetica (sans serif) might work well together, but Skia and Charcoal (both sans serif) will not.

Why?

Because the human eye likes patterns to be either exactly alike or clearly different. Similar, but not the same, makes the human eye struggle.

 

Do use two different fonts.

One font – say all Palatino – is overly calm, sedate, even boring.

Two fonts is interesting, but doesn’t overwhelm the eye.

Three fonts (each from a different category, of course) starts to be cluttered and busy.

all Palatino, Desdemona and Skia, Zapfino plus Impact plus Times

 

Use contrast to draw the eye.

Contrasting sizes, contrasting colors, contrasting fonts. You do want to catch the attention of potential readers, right? Compare the examples below.

 

Can you break these rules? Certainly. The instant I learned them I thought of exceptions that work beautifully. But the vast majority of covers that appeal to readers follow them.

from top left corner to bottom right cornerIs there more to typography? Of course. But these foundation concepts are enough to produce surprisingly good design results when choosing fonts. Let’s move on to the overall composition of a cover.

English speakers looking at a page visually enter it at the top left, glide along the elements on the page, and exit at the bottom right. All our years of reading train us thusly, and the design of a cover should support this natural movement of the eye.

 

Four rules for composition:

Proximity – Group related items. Place author and a quote about the author together. Or put a tag line about the book right above or below the title. Don’t dot bits and pieces all over the place.

 

Alignment – Every element should have a visual connection to every other element.

 

Repetition – Repeat visual elements to create cohesion. Color, shapes, line thickness, and font should all be chosen repetitively.

 

Contrast – Be bold, avoid the similar, make elements either the same or very different. I know. I listed this under the rules for font choice. It also goes for design in general.

 

But that’s enough lessons. (Do I hear you saying, “More than enough”? Yes, I think I do.)

 

What did all this instruction do for my own covers? Let’s take a look.

Here are the before and after versions for Rainbow’s Lodestone. The old cover used only one font and a center alignment. It was attractive, but overly sedate, bland.

The new cover adds the font Matura, a script font with a fantasy feel. It abandons the center alignment for an edge-to-edge arrangement that anchors the bottom and “caps” the top. The capital R in the title stretches up dynamically to frame the tag line. And the color of the title and author byline was deepened to better complement the photograph.

 

What about the new The Troll’s Belt cover?

It’s wise to create a visual brand for one’s books, so the fonts Palatino and Matura appear here also. However, the composition of the art requires something other than a straight top cap, although the edge-to-edge reach is maintained. Thus the title frames the faces of the troll and the boy. The author and author tag line are nearly identical in treatment to Rainbow. That’s my author brand.

 

And the new Sarvet’s Wanderyar cover?

My teacher’s exhortation to be bold rang in my ears. I pulled Matura into the title, which allowed me to:
add some energy to the word Wanderyar
create an edge-to-edge top cap that flattered the art
and maintain the legibility of the type.

 

Troll-magic received the fewest alterations: just the new branding elements of tag lines in Matura plus, in the author byline, the dipping J and the underline.

What do you think?

 

For further examples of the design process in action, check these posts: Cover Makeovers, Serpent’s Foe, Hunting Wild, Winter Glory, and Choosing a Tagline Font.

For discussions of cover copy, check Eyes Glaze Over? Never! and Cover Copy Primer.

For how-to pointers on story openings, see The First Lines.

 

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Waste-Free Lunch

photo of Lunchskin sandwich bagThe summer before my twins started school, I prepped for their bag lunches.

We’d been on a non-plastic food storage kick for several years, and I didn’t want to go back to caressing comestibles with bisphenol A or anything similar!

It took some creativity. The marketplace provided fabric bags for sandwiches and pretzels. Ditto steel canteens for water and thermoses for soup. But what would I put juicy quartered pears, moist sliced cucumbers, or drippy applesauce in?

photo of glass storage containers with lidsI rootled around online and discovered several possibilities. One eco-store carried small glass containers – both rectangular and round – with plastic lids. But my best solution turned out to be 4-ounce canning jars! They were small. I needed small, because 5-year-olds eat small servings. They were tough and unlikely to break (good, thick glass). And they were inexpensive! Also important, since we were on a tight budget.

I felt pretty pleased with myself: insulated lunch sacks, sandwich bags, Klean Kanteens, tiny canning jars, small cloth napkins, small stainless steel utensils, and cold packs. I was ready!

You know there’s more to my story than that, right?

Yep.

Turns out that many schools don’t allow glass containers in their cafeterias. Ours was one of them.

I didn’t learn this until 4 weeks into the school year, when my son dropped his canning jar full of mini carrots on the cafeteria floor. It didn’t break. (I’d thought it would not.) But his teacher contacted me and requested I make other lunch provisions.

Yikes! Now I had to scramble.

Luckily To-Go Ware came through with its “sidekick” containers intended to hold dressing for salads. My kids weren’t salad eaters, but the sidekicks would work just fine for other wet foods. I purchased half a dozen, and then we were all set.

In case you’re currently assembling your own plastic-free, waste-free lunch kit, I’ll share the details of ours.

photos of lunch sack, opened, unpackedI love the BUILT lunch sacks, because they provide some insulation, but they’re also stretchy. On days when a child asserts he or she is especially hungry and wants a big lunch, that stretch is key.

I like Klean Kanteens for beverages. The opening is big enough to easily slip ice cubes inside. (My daughter prefers her water super cooled.) There’s no inner lining. (Linings crack over time, so I want stainless steel straight up.) And the canteens come in a size small enough to fit inside a lunch sack.

I tried a cloth wrap for sandwiches, but discovered that it featured a plastic lining. I sewed my own version without plastic, but then the sandwich dried out by lunchtime. Not very tasty. Finally I settled on the nylon bags from reuseit.

The small sidekick from To-Go Ware is perfect for veggies, but my kids like a larger helping of fruit. I don’t remember what my solution was that first year of school. By the next year, a larger sidekick was released, and I purchased a half dozen of them.

I use small “cocktail”-sized cloth napkins: small, small, small is always important on the go. Camping utensils (also small) provide a fork for mac & cheese or spoons for yogurt. And then there’s the cold pack, probably unnecessary for PBJ, but reassuring if the sandwich features sliced ham. August in Virginia is hot!

I’ve included links in all of the above, so you can easily track down anything that fits your needs.

Do you pack lunches for work or school or hiking in the mountains? I’d love to learn about your solutions in the comments here.

For more on green living, see:
Bandanna Gift Wrap
Grass Green
Great Soap & Etcetera Quest

 

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Bazinthiad’s Fashions

illustration of woman wearing chemise, vestment, tabard, and surcoatWeather is warm in Bazinthiad (capital city of the Giralliyan Empire), and clothing reflects it.

Summertime gauzes are so sheer as to be translucent, and even winter silks and linens are thin, but a multiplicity of layers preserves modesty.

Next to the skin comes the chemise, a sleeveless shift, usually of a hue that contrasts with the rest of the ensemble. It’s a plain garment, although the sheerer the cloth, the richer the wearer. The illustration at left features a pale yellow chemise.

A vestment lies atop the chemise. Cool weather vestments sport long sleeves, hot weather ones feature short sleeves or none. The neck is often square. The lower hemline and the hems of the sleeves often display white or pale tone-on-tone embroidery. (Our model wears a pale gray vestment.)

Atop the vestment is the tabard, another sleeveless garment that falls to the knee. Its hems nearly always possess ornament; the most stylish feature embroidery across the entire surface. (The vestment at right is soft lilac with modest embroidery along its edges.)

Topmost comes the surcoat, a long robe with long sleeves and a hood. Wintertime surcoats are quilted. Summer ones are sheer. The fabric is rarely ornamented, but the hood characteristically features a complex tassel which indicates the wearer’s ancestry, age, and marital status. (Our model wears a soft slate surcoat with the hood draping down her back.)

Like all peoples of the North-lands, Giralliyans fear trolls and fear to be mistaken for trolls. This bias heavily influences the garb of Bazinthiad’s dwellers. They avoid bright colors, strong contrasts, sequins, seed pearls, and gems. Those are the signifiers of troll-queens and troll-kings.

Muted pastels are chosen for summer clothing, and darker somber hues for winter. Wealth is proclaimed by the sheerness of the fabrics, the fineness of the weave, the amount of embroidery, and the depth of braid or trim on hem edges.

Footwear is always sandals, from simple thongs to elegant dancing soles to boot-like affairs with a complex array of straps.

For more about the world of Troll-magic, see:
Who’s Who in Troll-magic
Families in Troll-magic
Bazinthiad, A Quick Tour of the City
Magic in the North-lands
Magic in Silmaren
Radices and Arcs
Mandine’s Curse
The Suppressed Verses
Character Interview: Lorelin
The Accidental Herbalist
What Happened to Bazel?

 

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Duplicity, Diplomacy, Secrets & Ciphers

Four of my favorite fiction reads.

two brothers face off against a backdrop of outer spaceAction marries philosophy! Mark Vorkosigan embarks on a quest as the knight errant he imagines his brother Miles to be. And it all goes horribly wrong. To save both himself and his brother, Mark must confront, navigate, and triumph over the hell lurking within his own soul — a hell mapping his most broken and wounded places — while devising a way to defeat a sadistic enemy.

Mirror Dance at Amazon

Mirror Dance at B&N

 

 

A diplomat and his two bodyguards, space station in backgroundHuman mediator Bren Cameron wields diplomacy, wit, and cultural sensitivity to keep an unstable peace. His alien atevi friends wield lethal force to do the same. Will their unorthodox partnership be enough? C.J. Cherryh creates the most exotic and immersive alien culture ever!

Foreigner at Amazon

Foreigner at B&N

 

 

 

Brun is space armor with weaponDescendant of admirals, Heris Serrano resigns her military commission under a cloud and accepts the captaincy of a luxury pleasure yacht. Could she sink lower? Even disgraced officers must eat. But Heris discovers that opportunity to confront the enemy while serving something larger than oneself hides in unexpected places. The fox she hunts under Lady Cecelia’s aegis proves wilier than V. vulpes and viler than a mere beast.

Hunting Party at Amazon

Hunting Party at B&N

 

 

View of the way to Babylon along a deep chasmEarth needs three Magids – magical guardians who nudge the right people to do the right things at the right time. Three, but one of them just died. Rupert Venables, the junior-most, seeks a replacement. Unfortunately his top candidate can’t stand Rupert. And, after their aggravating first encounter, Rupert can’t stand her either. If only the other four candidates weren’t worse. And if only the fate of the entire multiverse didn’t stand in the balance. Deep Secret romps from plans gone awry through grievous first impressions to ancient secrets hidden in plain sight.

 

Deep Secret at Amazon

Deep Secret at B&N

 

For more of my favorite reads, check these posts:
Beauty, Charm, Cyril & Montmorency
Mistakes, Missteps, Shady Dealing & Synchronicity
Courtship and Conspiracy, Mayhem and Magic
Gods & Guilt, Scandals & Skeptics

 

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The Reluctant Cook

photo of eggplant dishI hate cooking.

No, that’s not true.

I hate cooking dinner.

No, that’s not true either. Sometimes I love cooking dinner.

I love/hate cooking? I hate/love cooking? What is the truth about me and cooking?

This is it: I hate having to cook.

Making plättar (Swedish pancakes) for breakfast is great fun. I think of my beloved Farmor (father’s mother) the whole time.

Baking chocolate chip cookies also holds my interest. I remember my first solo attempt at age ten – I melted the butter instead of creaming it – and laugh.

Making lacto-fermented sauerkraut is a thrill. Harnessing those miraculous micro-beasties (lactobacilli) to create the best cabbage dish in the whole world is an amazing stretch back through thousands of years of human food prep.

Obviously, I’m a writer! I like my food to have stories.

And when I cook to entertain myself, I love it. When I cook merely to feed myself and my family (and I’m tired after a long day or there’s just nothing good in the fridge or I’d rather be writing) . . . not so much.

I do cook, of course. Not only do I cook, but I give it some real commitment. My mother believed (and believes) that good health rests on good food, and so do I. That’s motivation for cooking on days when I just don’t want to. And I have help. My husband shares the cooking load. In fact, here in the aftermath of my two-year, torn-hip, broken-foot, broken-toe saga, he does more than half. That helps! A lot!

But I enter the kitchen frequently enough. Three meals a day, seven days a week, give us twenty-one opportunities to mess with food. And just a few weeks ago I stumbled upon a way of cooking eggplant that produces an eggplant so mouthwatering that I must share it with you.

It’s so simple that I’m surely not the first to stumble upon it. It’s so easy that real cooks will laugh at me. But it’s so delicious that I want everyone who hasn’t stumbled upon it themselves to taste it. So here’s the “recipe.”

photos of steps in making recipeIngredients

1/2 cup olive oil
3 tablespoons soy sauce
5 plump garlic cloves
2 leeks
6 narrow eggplants

(I know. The veg photo shows ingredients for a half recipe. Sorry about that! Not enough eggplants on hand the day I took the pic! The rest do depict the full recipe.)

Directions

Wash the leeks thoroughly. Cut off the green tops and either discard them or save them for another dish. Cut off and discard the root end. Slice the stalks very thinly.

Peel the garlic cloves and mince them or smush them through a garlic press.

Wash the eggplants and slice them thinly. Discard the stem ends.

Pour the olive oil and then the soy sauce into a largish pot. Heat on medium on the stovetop.

Add the garlic and leeks to the oil and sauté, stirring occasionally.

When the leeks are slightly soft (a couple minutes), add the eggplant and sauté. Add more olive oil (it’s good for you!) if the pot bottom gets dry.

Keep stirring and cooking until the eggplant is thoroughly soft and mushy.

It looks like a brown and gooshy mass. It tastes like seconds, thirds, and fourths!

Serve and enjoy!

 
 
 

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The Old Armory, Part II

Part I is here, if you missed it.

Castel Baloron was once  the fortress Castellum Balazoron. It would become Chapel Balarn, and then the Belarno Armory. But that time was not yet, and the falchion hidden in the well of its outer bailey would surface first.

Hunting Wild

The pennants snapped, bright in the stiff breeze. The stones of Castel Baloron were old, worn, but the stands, pavilions, and royal box – draped in scarlet silk – shone vivid and new, erected two weeks ago for the the tourney.

Tulliya bounced and cheered, waving her handkercher over her head.

“Did you see? Did you see him?” she demanded of her companion, a fosterling one year younger than herself. “His footwork was perfect! Amias never even saw that backhand blow til it connected!”

“What do you know of backhand blows and footwork?” retorted Quilleya. Then she grinned. “He is good, isn’t he?”

Tulliya returned her attention to the lists. “I’ve watched the squires in the tilting yard,” she replied, eyes on the two young men finishing their bout. Both stripped off their gauntlets to shake hands, then doffed their helmets to exchange the ritual peace kisses on either cheek, indicating their good will. The jousts were tests of skill, not occasions to form enmity. Here at the tirocinium, an exercise for the newly knighted, it was particularly important that contestants follow the correct forms.

Amias stooped for his gauntlets and helm, limped toward his pavilion. Maximo slung an arm about his defeated opponent’s shoulders, shoring him up. Evidently the two were friends, not merely civil in the aftermath of victory and defeat.

I don’t know all his entire circle anymore. She’d used to, before his father, the Cavalier Pellucon, sent him to Castel Graezon for fostering and training. Before her father, Warder of Baloron, sent her to the Princess Aeliyana as maid-in-waiting. It’s a good thing, she decided. He used to be grubby and annoying. And I was . . . equally grubby and . . . equally annoying. She smothered a grin.

Maximo had delivered Amias to his men-at-arms. Now he approached the royal box and bowed.

“Your Highness” – that was to the Princess Aeliyana – “my Ladies” – another bow to the matrons- and maids-in-waiting – “my victory is yours.” He smiled directly at Tulliya. “May I claim my guerdon?”

Her spirits recovered. She bounced again, once, then quelled herself. She felt a grown lady, bestowing her handkercher after a champion had jousted for her. Better act like one.

Max received his guerdon becomingly, no hints of their childhood association lessening Tulliya’s dignity, and retired with another bow.

His was the last bout of the tirocinium. There would be an interval before all the knights gathered for the melee. The tiros needed rest and refreshment. The spectators did too.

Tulliya craned her neck, looking for the kitchen churls. It was her job – and Quilleya’s – to carry the covered platters up to the royal box. Ah! They were just emerging through the barbican from the inner court. She rose to her feet, nudged Quilleya, and descended the stairs at the back of the box. Some moments later, she ferried a tureen of vongola bisque, a compote of orange marmelade dumplings, and a flagon of chilled wine upward. Lady Juneya wanted bisque only, Lady Varice the dumplings, and Lady Corenna wanted some of everything.

The princess declined all but wine. Her hand trembled receiving the chalice. Tulliya glanced upward in surprise, met the royal gaze. Aeliyana smiled, gracious even in worry, but the line between her brows deepened. What concerned her? Tulliya dipped a curtsey.

“My thanks, child. Truly I have little hunger. Perhaps I’ll desire more when I sup this eve.”

Except she wouldn’t. Her Highness had displayed little appetite for near on a month. Tulliya shivered, remembering her own source of worry, wondering why her fear – yes, it was fear, not worry – and that of the princess ran in parallel.

It’s our king.

On the thought, trumpets blared. Tulliya started, nearly spilling the wine.

“Best put the flagon aside, child.”

Tulliya nodded.

“It will be well.”

Except it wouldn’t.

The chief herald was speaking, his voice projecting above the sussuration of the breeze. “His Majesty, King Xavo of Istria, Lord of Ebior, Caliana, and Nathiar, Cavalier of the Order of the Clepsydra, declares he shall meet Lord Rollo, High Gravine of Eirdry, in the test of the joust. May the stouter champion prevail!”

Another blast from the trumpets.

A knight on a black horse – the massive stallion, Morke – rode from behind the most magnificent pavilion.

Tulliya couldn’t see his face at this distance. Could not have seen it, even were she closer, since the visor of his dark helm was down. She didn’t want to see his face. The memory of it as he received the lost falchion from her hand troubled her still. Turned her worry to fear.

Like all the youngsters growing up in Castel Baloron, she had explored every cranny of her home. The kitchen stores were forbidden, but harmless; the deep stores, taboo and more dangerous. The tunnel below the old bailey well where the spring emerged from the hillside, beyond prohibition, forgotten.

Most memories from Tulliya’s fifth year were blurry now in her thirteenth; that of her first passage up the dark tunnel behind the spring remained clear. Dared by Max – today’s champion, childhood’s best friend – she’d scrabbled under the earthen arch in spite of her fears. I’m big! I’m brave! she’d insisted to herself. She hadn’t been big. Many children of Baloron never risked the underearth challenge. Those who did were nine, more often ten. But Tulliya hated being the littlest, the most timid, the one causing her older companions to exercise prudence. This would show them!

The pebbles of the underground stream bed dug into the soles of her feet, and the chill of the shallow water numbed her toes. The rough surface of the ceiling sloped down, scraping her back, forcing her to bend, to crouch, to curl enough that she caught her balance with her hands in the wet. The light faded swiftly. Had she gone far enough? She paused, eyes adjusting. The glimmering ripples of the spring’s source cast dim flickers against the rocks pressing her down. I can see. She hesitated a moment, then moved forward, picking her way. One foot, one hand, the other foot. The roof lowered again, and her knee splashed down. This is enough, she decided. Could she turn? Or must she back out?

Yes, back out.

She pushed with her left hand, felt pointed impact on her head, found herself sprawled in the water.

Ow!

Her eyes stung. She blinked away tears. I’m big! I’m brave!

She pulled her legs under her, kneeling, waiting for the sparkles that confused her vision to fade. They didn’t. Silver scintillas turned bronze, turned gold. Something ahead glittered and shed light. She crouched lower, creeping forward to see more. What was this strangeness? There, where the water grew abruptly deeper, a marvel gleamed below the surface, embedded in the wall of the well shaft: a mosaic of turquoise and bronze and the green of old, old copper depicting a blade. She reached for it, drew back. Rust appeared on the edges of the blade, dark and crusted brown, flushing swiftly to scarlet, then dimming to blood red. Its glow blackened, twisted her fingers into curled claws. Tulliya screamed.

“No!” she cried and scrabbled backward, turning the moment the tunnel permitted it, floundering wildly through the pools edging the stream and out into daylight.

Max scooped her out of the spring, guilt writ large on his boy’s face, frantic hands gentled by his affection for her. “What happened? What happened?” he gasped.

She never told him.

If only I’d never told anyone. She shivered despite the warmth of the afternoon, struggling to leave her memories behind, to regain today and the tourney.

If only Quilleya hadn’t boasted about the magical tanager, an artifact her family sequestered in their home, the Castel Riquesa. If only Tulliya hadn’t revisited her little girl wish to be bigger, better, braver.

But I did. I did. And disaster loomed because of her. All because of her.

Tulliya’s gaze locked onto the scabbard at the king’s belt: metal with the patina of copper verdigris, set with onyx, traced by bronze filigree. Beautiful, were it not for the miasma of dread exuding from the weapon.

The trumpets blared again as a chestnut stallion – shining gold in the sunlight – entered the field. The knight mounted on the steed wore silver armor chased with gold. This was Lord Rollo, nephew and heir to Sevran, king of neighboring Eirdry, and beloved by him.

The clash between the dark knight and the bright should have been thrilling: the power of their striding mounts, lances shattering against shields, the athletic leap of the riders from their saddles, the flash of blades drawn from scabbards.

It was thrilling to the crowd in the stands, to the armsmen and lords before the pavilions, to the ladies in the royal box. Tulleya bit her lip, forced her hands away from her face, back to her sides. What do I fear? She hardly knew, but this was wrong, horribly wrong. She glanced upward at the lady next to her. Oh, I didn’t know. How had she come to stand at the princess’ elbow? Aeliyana’s face looked as strained as Tulliya’s felt. She senses it too. But what is it?

Both combatants had doffed their great helms, trusting the cervellieres – steel skullcaps – worn underneath. King Xavo’s falchion showed a ribbon of blood. Was Lord Rollo injured? He’d dropped his shield, but wielded his bastard sword with conviction, catching the falchion on its crossguard, jabbing the weak points of Xavo’s armor with its point. His wound, if he had one, never slowed him. Yet the king’s blows were heavy, propelled by the weight of his falchion’s massive blade.

Aeliyana gasped. Tulliya glanced up again. Aeliyana’s eyes were wide, trembling fingers touched her mouth. Tulliya looked back to the joust as the crowd groaned.

Lord Rollo was down, sprawled in the dust, blood leaking from his lips.

“Dost thee yield?” bellowed Xavo.

Blessed Cathal! Did he not see that his foe could not answer?

“Yield, I adjure thee!”

Merciful Eoin! He did not see.

“Must I call thee dastard?” He brandished his falchion at the fallen knight’s throat.

Tulliya flinched.

Then the cirurgiens were there, clustering around Lord Rollo, restraining the lords who had surged onto the field, pacifying the king.

“Your Majesty, he is fallen.”

“Your Majesty, he lacks voice.”

“Your Majesty, let us minister to him.”

The king’s face darkened. “He cowers whilst thee make his excuses!”

Princess Aeliyana touched Tulliya’s shoulder. “Bide. Keep my ladies with you.”

She hurried to the box stairs, flowed down the steep flight in a smooth rush, and came to her brother’s side.

Tulliya found herself unable to stem the maids and matrons in their own rush for the exit and followed the princess perforce, borne on the tide of women. She arrived at her patroness’ elbow just as Aeliyana curtsied and spoke. “Your Majesty, victory crowns thee. Wilt thee not take refreshment before the melee?”

His reddened falchion was not yet sheathed.

Tulliya held her breath. Would he . . . ?

The king whirled, narrowly missed Lady Varice with his blade, and strode for his pavilion.

The gathered lords accompanied their ruler, the cirurgiens renewed their attentions to Lord Rollo, and Aeliyana knelt to add her prayers to their efforts. “Horned Eoin, may your sacrifice make his unnecessary. May your spilt blood restore his. May your hunt chase his death from the world this time.”

Tulliya’s own knees gave way, but she was not praying, not yet. This time had been so like the other: King Xavo wroth, the falchion’s blade bare, and witnesses clustered close. If only I’d said that I could not. That I was faint. That the treasure was gone.

Could one say no to a king?

But he’d been so different when he asked her; before she’d fetched the falchion from its grave. He’d played Blind Man’s Buff with the fosterlings, volunteering as the blind man. He’d read to them in the evenings. And overruled the stablemaster who insisted that girls must use sidesaddles. He’d been . . . kind. Safe. Trustworthy.

When the story of her young exploit in the spring-tunnel passed from Quilleya to Jenifry to Lady Corenna to the princess and, at last, to the king, Tulliya had blushed, but gotten over her embarrassment.

When he knelt before her and begged the boon of her courage and chivalry, she’d left both fear and regret for her lack of discretion behind in her wish to please him.

When she placed the falchion in his hands – herself wet and muddy and shaken a second time – and saw him draw the weapon, she knew she’d made a very great mistake.

She’d emerged from the tunnel, carefully not looking at her own hands. His face held only encouragement, approval, and hope.

“Well done, child,” he told her. “I stand in thy debt.”

Then his hand circled the grips. She’d never seen fear in his eyes before. Not when he faced down the wild aurochs charging Lady Juneya, not when he scooped young Tito from the top of his plunge off the battlements, not even when Romulo surprised a bitter scorpion in his riding boots. Action married to cool aplomb, that was all.

When the falchion met his full grasp, fear passed through terror to something else on his face, another expression unknown to Tulliya’s experience of her sovereign. Could it be . . . horror? Surely not.

Then, with blade free of its scabbard, rage took him.

The lords and their armsmen scattered as the king cut the air in brutal strokes. Trying the weapon’s balance? Xavo’s hound – his favorite bitch, mother to the royal hunting pack and old in her devotion – wasn’t fast enough.

It was terrifying to witness: faithful Matroniya whimpering as her blood soaked the dust while her master hacked the air and ignored her pain. Lord Pellucon dispatched the hound from her misery after Xavo whirled toward the bastion and strode away.

Tulliya shuddered.

I won’t think of it. Not an instant past the moment in the well shaft when her own fingers touched the falchion’s grips. When pain bloomed deep in her joints. When worse . . . had not happened. It didn’t happen, she didn’t say. None of it.

If only she’d dropped the blade down into the darkness below the deepest water in the well. Down, far down, where none could fetch it up to the light of the sky. Or would the king merely have urged her to forsake air, lungs bursting, in a dive toward madness.

The frantic voices of the cirurgiens recalled Tulliya to the present.

“Your Highness, no! His blood is tainted. Do not!”

Princess Aeliyana bent to give the kiss of life, blowing the breath of her breast through the slack lips of the fallen.

Lady Corenna’s words were calmer. “Princess, Lord Rollo is dead.”

Aeliyana raised her head.

“This fault is mine.” Guilt haunted her eyes. “Had I but closed my throat, Lord Rollo would live.”

Tulliya started. But it is my doing, my boasting, my journey under the earth. How could it be hers?

“Our sovereign wielded the blade that slew, not thee, Princess.”

If Princess Aeliyana were innocent, was Tulliya?

I don’t care if I’m innocent or not. I just wish this had never happened.

The cirurgiens summoned the churls with their litter. Aeliyana’s ladies were urging the princess to her bower. Quilleya clutched Tulliya’s hands, weeping. There could be no recalling of words or deeds or events. Only the preparations for Lord Rollo’s funeral rites remained.

These proved fraught with fraternal strife.

Princess Aeliyana retired, and the tournament’s royal box went empty. But Xavo ordered the melee – the final contest of the festival, in which all those entered in the lists fought together against one another – to proceed. Every knight who faced the king and his falchion received serious wounds, but none were slain outright. Most were fit to attend the evening’s banquet, a celebration which Aeliyana also disdained.

Xavo chided his sister when he came to her chambers. He had bathed and changed his garb, but a sense of impending violence cloaked him. Tulliya slipped from Aeliyana’s side to hide behind a tapestry.

Despite his disapproval, the king’s voice was mild, albeit formal. “Thee wouldst scorn thy guests? ‘Tis the lady’s courtesy to preside over her board.”

Aeliyana gazed at him, saying nothing. Her eyes were cold.

“My lords must sup.”

Still nothing from his sister.

“I shall don umbrous mourning and require my lords to do likewise.” Was the king pleading?

It pierced the princess’ chill reserve. Aeliyana bent, covering her face with her hands.

The king’s brow darkened. Would he strike her?

Then his eyes softened. “Dear heart, forgive me.” He knelt to raise her, encircling her shoulders in gentle embrace. His words paralleled this tender intimacy. “All shall be ordered as you wish. Instruct me.”

“Grief is my feast,” choked Aeliyana, and she clung to him. He held her, his face echoing her sorrow.

Tulliya bit one knuckle. Would this, could this, prove Xavo’s redemption? He looked so sad. Almost she crept to his side, forsaking her shelter. No. Her comfort would be intrusion only. His sister’s must suffice. And if it did not? Tulliya stood still.

Xavo released Aeliyana to her backless chair, steadying her a moment, restoring her arms to the armrests. “Tell me,” he urged.

“I would have Lord Rollo’s last rite conducted in the manner of the Gedier,” answered his sister. “He professed the cervine faith.”

Xavo drew back. “The Creed of the Horned One was never reinstated!”

“Many profess it nonetheless.”

“The royal house must not be amongst their number!”

“The royal house might be first amongst their number.”

“Blood and violence birthed the Gedier. Blood and violence shadowed all their long history. And blood and violence brought them down. Their reinstatement would be an evil act.”

Aeliyana bit her lip and looked down. Did she perceive more violence in her brother than in the old religion?

“I spoke my vows on Cemmunnos’ Eve this winter last.”

Xavo whitened.

“You didn’t!” he whispered.

“The renewed deor-faith is different,” insisted Aeliyana. “Cathal’s tale of self-sacrifice and redemption holds our hearts. Bellam’s votary of power and death, not at all; ’tis considered heresy.”

Xavo’s mouth tightened. “The roots of the Gedier beliefs won’t vanish for your entreaty, dear sister. They are there. They are strong. They but wait for opportunity. Forsake your vows, I beg you.”

“Never.” Some of the king’s steel rang in her voice. Tulliya shrank against the stone wall beyond the tapestry, shivering at its cool smoothness. Was Xavo an outward manifestation of ferocity, Aeliyana an inward one?

“To please me?”

Aeliyana’s nostrils pinched, and her lips straightened. Not the right plea.

Xavo’s temporary tenderness transformed into coercion. “I forbid you to profess your faith!” Courtly language, left behind in intimacy, remained absent in his anger.

“You are too late!” She gave him back defiance for his constraint. “I have forsaken my birth name. I am Aoife!”

The king’s eyes blazed. “I declare you in contempt of your sovereign’s will.” He swallowed, reclaimed courtly diction. “Thee art treasonous!”

The princess stood, gathering formality herself. “Dost thee declare the Eirdrian tradition of beheading sororal claimants to the throne less violent than Bellam’s transformations of shadow into light?” she flung at him.

Xavo’s fingers touched the pommel of his falchion, a black opal entire, with the shadow of some green stone behind it. Tulliya held her breath. Then the king’s hand fell to his side, and he turned, but did not storm away.

Tulliya breathed again.

Xavo stood silent a time, then spoke, his back still turned. “Sister, there is reason and quietude in the contemplation of balance. Our Istrian pensare – pursuit of serenity, courage, and wisdom – stems only from love. Canst thee not embrace it once more? The perils of a personal deity – tribalism, zealousness, fanaticism – are real.” Was that anguish in his voice?

The princess reseated herself. “My courage and hope never burgeoned so strong from mere meditation. Love of the Horned One hath made me brave; contemplation of balance dost not infuse my timidity with valor. I shall not forswear myself.”

Xavo turned around. “So be it.”

“Lord Rollo?”

“Shall receive rites of transformation and passage in the traditions of wisdom.”

“And myself?”

Now the king did stride away. Pausing under the archway between the antechamber and the bower, he declared over one shoulder, “Aoife . . . thee shalt go to the tower and the blade.”

Aoife lifted her chin.

The king passed out of her chambers, his tread swift on the stairs.

Lord Ezek and Lord Merral took the princess to Tower Nuvolat, the tallest on the curtain wall of the outer bailey, and locked her in the Queen’s Solar. Aeliyana – Aoife – was no queen, merely a princess, sister to the king, but the solar was the customary repository for any royal prisoner. It acquired its name when Xavo’s great grandfather locked his consort away there for life. She’d conspired with his enemies to take the Istrian throne for herself.

Tulliya visited Aoife, bringing sweetmeats from the hands of her ladies and restraining her own tears. Crying won’t help her, Tulliya told herself fiercely. She needs help, not weeping. But Tulliya couldn’t think of any help – real help – she could bring. Aoife told her to pray, but how would mere petition achieve anything? Aoife needed deeds, not words.

Then Tulliya did think of something. She persuaded Quilleya to ride out with her on a pleasure jaunt to the ruins of Ysbrydion Hill – the old stone circle that once held dark rituals to Cemmenos – and convinced the stable grooms that two maids needed no escort.

Quilleya complained from the moment Tulliya proposed the expedition all the way down to the stables and out through the gatehouse. “How can you think of pleasure and fun when the princess is sentenced to death? I don’t feel like riding. I never liked it much anyway. Why the ruins? They’re creepy and shivery.” And so on.

Tulliya waited until the Castel Baloron shrank to a dot on the hillside behind them and the dust of the dry grasslands rose beneath their mounts’ hoofs before she confessed their true destination. Quilleya liked that no better.

“Do you want to go to Nuvol-tower yourself?” she protested. “The Gediers’ High Holy Hind lives in seclusion for a reason. You’ll get her tossed in prison along with both of us!”

Tulliya sighed. “She won’t boast of our visit. And we shouldn’t. How will anyone know? The horses?”

Quilleya giggled. “There is that legend of the horse who was really a troll and could speak.”

Tulliya didn’t snort, remembering all Aeliyana’s – Aoife’s – lessons in ladylike behavior. And then she did snort. On horseback with one intimate friend wasn’t court. Surely being ladylike needn’t apply to all the hours between sunup and sundown.

Unfortunately Orloitha’s advice dovetailed with that of the princess: pray!

Resisting the high priestess of the entire Gedier order felt disrespectful, but Tulliya wanted something more than that to carry back to Tower Nuvolat.

“What do you think prayer is for?” asked Orloitha.

Tulliya’s lips parted. Then she stammered, “T-to sh-show obedience and faith?” The apostles of pensare would hate that guess. Did that mean it was right for the Gedier?

Orloitha was shaking her head. “Try it,” she suggested. “You’ll learn.”

“But I want something that I know will work,” insisted Tulliya.

Orloitha’s face turned sad. “Don’t we all, child,” she murmured, “don’t we all.”

Her maidservant pressed chilled grapes upon them as they reclined on the Hind’s brocaded divans. Once the girls were rested, Orloitha spoke a message of encouragement for Aoife. And with that Tulliya had to be content.

So she did pray.

Upon waking, before breaking her fast, at the close of noontide dinner, before she supped, and bending beside her bedtime couch. Sometimes she felt holy, once exalted, often despairing, and most times: nothing at all. How could this help? How could Orloitha be content to recommend nothing else? Was she really just praying there alone in her priory? Or did she organize a daring escape?

Quilleya took to avoiding her friend as the Ladies Varice and Corenna looked askance at Tulliya’s sudden access of religious devotion. The Istrian practice of pensare encouraged inward observance over outward gesture. Excessive prayer was a bad sign, not a good.

Through all the waiting for the day of Aeliana’s – Aoife’s – excution, Xavo kept his court lingering at Castel Baloron. Why did they not return to Cincrestes in the capital?

Then King Sevran’s battalions arrived and spread in a crescent below the curtain walls. Lord Rollo had been beloved by Sevran, more son than nephew and heir, and his death must be punished. Had Xavo known of his neighbor’s march? Baloron was more defensible than Cincrestes.

Surely military necessities might prevent Aoife’s beheading? Tulliya hoped, but no word of such was spoken. Xavo’s battle lord tuned the ballistas, while the armsmen drilled in the bailey and his knights sortied at dawn to trouble Sevran’s forces. With the lake beside their camp, the Eirdrian battalions possessed ample water and game. Sevran could afford to be patient.

Xavo was less fortunate. The sky tumbled with gray clouds, but the winter rains delayed. The cistern under the inner court stayed bone dry, the spring trickling down the slope of the outer bailey slowed, and the well above it grew shallow and murky. The drought was typical of the season; only the lack of access to the lake made it critical. But towers of cumulous built and built above. The deluge would come soon.

Sevran’s trebuchets arrived.

Xavo ordered the cistern filled from the dirty bailey well. From dawn to dusk the castel churls carried buckets to and fro, ceasing only when the massive war machines were positioned for use and reconfigured from traveling compression to siege array. The last bucket carriers scurried for the shelter of the inner walls as the first slung boulder thudded too close beside their water source.

Sevran’s men mined the cliffs of the western lake shore for larger missiles to add to the spiked iron balls brought by the munitions battalion. Bombardment was sporadic, smashing against the curtain walls erratically, bouncing into the dust within the curtain walls less often. The ballistas atop Baloron’s towers answered, and the cries of the wounded went up from both sides.

Atop Tower Nuvolat, the guillotine also went up. Aoife’s execution would go forward according to Xavo’s decree.

Winter′s first storm broke the night before Aoife would be brought to the blade. Rain fell in sheets, filling the cistern to overflowing by midnight and washing the stones of the inner court clean. Sevran′s trebuchets ceased lobbing missiles, their balance knocked awry by the mud. The downpour eased at first light to a spitting drizzle, but lightning still leaped between the roiling masses of cloud overhead.

Orloitha, present as the daughter of Cavalier Iytavo, secured permission to attend Aoife′s last hours. Aoife herself prayed unceasingly, but the Gedier priestess drew forbidden spirals of juniper orange and saffron yellow and knotweed green on the princess′ skin – at temple, throat, wrist, ankle, and instep.

Tulliya, also in attendance, caught her breath. This was ritual color from deepest time. Dark. Unlawful. Perilous. But how could the rite be completed? The tower′s battlements were no windswept hill circled by sacred stones. No dancing celebrants, chanting hart-kin, or taboo sacrifice stood ready.

Tulliya shivered. No sacred sacrifice, but a secular one. Would Aoife′s salvation be worth the resurrection of dread rituals from the past? Could Aoife be saved?

Thunder grumbled, muffled by the screens drawn across the solar′s window arches. What was that murmur behind the sky′s mutter. Gulls blown astray by the winds? The roars of an aurochs stung by a refugee heyghoge? Or the hounds in the mews, weary of neglect and the storm′s tumult?

Orloitha finished her last chalked curves inside Aoife′s elbows. The princess rose from her knees, donned her outer gown and goller, and the Lords Ezek and Merral unlocked the solar doors to escort her upward. Orloitha followed them, gesturing Tulliya to accompany her.

I don′t want to go. I don′t want to see this. I don′t want any part of this. But she climbed the curving flight of stone steps at Orloitha′s side.

Xavo, flanked by Lords Pernice and Lazeylo on his left, and the executioner on his right, awaited them. Lady Varice clipped Aoife′s hair to jaw length, and the Cavalice Beccedona helped her remove her capelet – the goller – with its standing neckband, from her shoulders. The heretic princess knelt on the cushion before the guillotine and bent her head.

Thunder growled again, louder this time. The cries of – what creature was that? hounds surely – clashed with the storm′s voice. But they came from above, not below. Hounds in the sky?

A yet louder barrage of thunder boomed, and a rider galloped from a misting gap between low clouds. A rider amidst hounds. He was larger than Baloron′s gatehouse, terrible in his power, dark against the roiling heavens. Tulliya flinched away, unable to bear sight of him, animal and huge as his steed pounded across shaking, riven air. Nor was she alone in her fear. Xavo himself turned his head down over a shoulder, and the courtiers flung themselves prone. Of all gathered on the stone roof, only Orloitha stood fast, tipping her face up and flinging her arms aloft. “Brenin gwyllt!” – wild lord – “Glanhau y budreddi!” – cleanse this putrescence!

The rider bowed his head, a stag′s head crowned by its weighty rack. Tulliya looked away again. Why do they call him the Horned One? He bears antlers, not horns. Cemmenos′ hounds gave tongue, clamorous and fell. The sky cracked, shaking the tower with a force as great as any trebuchet, and lightning stabbed down. The guillotine splintered, up and not out, spurting like a fountain, leaving Aoife untouched.

Tulliya peeked at the king. He cowered still, but his right hand crept along his thigh, feeling for his weapon. Did he dream of challenging this foe? Battling the Lord of the Wild Hunt in a final, apocolyptic duel? Defeating the Gedier deity? Making Istrian pensare pre-eminent once and for all?

No. Abruptly she knew. His aim was nothing so lofty. The blade to sever his sister′s head from her body was broken. He would wield this blade instead!

Would no one stop him?

Lord Ezek? Cavalice Beccedona? Cemmenos′ High Holy Hind?

The courtiers had scuttled for the trap door. Xavo′s executioner gripped his axe. Orloitha channeled her god′s awe.

In the recent habit of prayer, Tulliya prayed. “Brenin gwyllt! Save her!”

And then she knew. I must save her, if saved she is to be.

Tulliya seemed to move in slow motion, weighted by the terrible glance of the Horned One and the bellowing of his hounds, her hand gelid will pressing cold droplets from dense ice. But she was faster than Xavo. Her fingers slid around the grips ahead of his, snatched the falchion from the scabbard, withdrew it from the king′s closing fist.

Tulliya gasped. Pain bloomed deep in her joints, curling her down to the stones, twisting her clutching fingers awry, dragging her eyelids down over darkening sight.

No! He′ll take it from me in my weakness!

“Fod yn gryf, calon dewr!” – Be strong, brave heart!

The god′s voice was a buffet, stripping her of all strength, and yet . . . stripping her of fear also. So this was the purpose of prayer.

Tulliya stiffened her knees, then bent more deliberately, lowering the falchion toward her heels and flinging it skyward. Up, up, her gaze followed its flight. The Lord of the Hunt reached out his mighty hand, grasped the falchion, strangely larger, and brandished it in appalling strokes. Could a god go mad? As had the king? No, his blows were well placed, his steed and hounds in no danger. He sliced a portal in the sky above his rack and tossed the falchion through it, up again, into vapor and wind.

It was gone.

The hounds belled. The horseman called. And the hunt swept over Tower Nuvolat, pounding through another rent in the violent clouds, hidden by the mists.

Tulliya listened. The wild call of the hounds moved across the sky behind the clouds, punctuated by the cries of the huntsman. Did triumph ring in their fell voices? Distance muted the clamor of the hunt, then silenced it. Tulliya lowered her gaze from the heavens.

Orloitha stood rapt, eyes closed. The executioner gripped his pole axe, mouth open and eyes wide. The only others remaining on the battlement were the princess and the king. Aoife knelt still, but her back was straight and her head erect. Xavo fell to his knees before her, crunching down on the shards of the guillotine, heedless of sharp metal and splinters. His spoke steadily, but tears glided down his lean cheeks. “I am not fit. My deeds prove it. Wilst thee wear my crown, sister?”

She shook her head, smiling.

“I beg thee,” he pressed her.

“‘Twas not thee, brother,” she said, “but the blade. The Wild Lord hath accepted it. Thee art free of its taint.”

He bowed his head. “Canst thee forgive me?” he whispered.

“I have.”

He reached for her, tentatively, then drew her into his embrace when she accepted his touch. This time he did sob. She stroked his hair.

“Ask me a boon!” he commanded, raising his face.

Her voice was tender. “Thee knowest my desire.”

“It is thine,” he declared. “The Gedier shall be received in my court, welcomed by my counselors, and adjudged safe under my law.”

Now tears spangled Aoife′s cheeks. “Blessed be, dear brother. Blessed be.”

“How canst thee forgive me?” His voice broke. “I cannot!”

“I rejoice in thy return,” she answered simply.

The proclamation reinstating the Gedier had to be done all over again in the great hall before the assembled lords and ladies, armsmen, and bishops of the pensare.

The king tacked on an unexpected addendum. “Castel Baloron shall belong to the Gedier order henceforth, theirs to tend and defend, theirs to enjoy and flourish within, theirs to strengthen against the peril sequestered in the sky above Tower Novulat.” Xavo believed the falchion to be neither removed nor destroyed – merely hidden beyond the reach of men and women – and he feared it yet, perhaps wisely. “I give one last decree for Baloron before I cede it,” proclaimed the king. “My faithful Lord Otavo” – Tulliya′s father – “shall choose if he and his heirs shall attend Baloron in perpetuity or gain a new keep under his ward: my new Castel Zaphiron abuilding on the hilltop to be my main stronghold.”

Tulliya held her breath. Which would her sire choose?

“I bide here, my king, in the home of my ancestors, the home of my legacy.”

Oh, relief. Fosterlings rarely returned home again. But I want to know that home is still here.

Xavo turned toward Orloitha. She was garbed in the celebratory robes of the hart-kin and glowed. “I commend him and his to thy respect and affection. I owe his daughter a debt greater than may be repaid. Cherish him and his, I charge thee.”

“I do,” answered the sacred Hind.

The feast following Xavo′s decrees was long and merry, but Tulliya ate sparingly and left the board soon after.

Maximo stopped her as she paced through the archway leading out of the hall. “My lady?”

“My lord?” She was polite in turn, paused, and then reclaimed their childhood intimacy. “Oh, Max, don′t!”

“Tulliya?”

“Yes, please.”

“Will you walk with me?”

She placed her hand on his arm and allowed him to lead her through the guardroom, across the court, through the gatehouse, and down the bailey′s slope to the wellhead. The low stone coping edging the drop was worn, as always, and warm in the sun, but the waters deep down the shaft glimmered faintly silver.

“What troubles you, sweet Tulliya?” he asked her as they stood gazing into the water.

“It has all come right in the end, but so much pain and peril warped the middle.”

He didn’t pretend to misunderstand her. “The falchion was evil,” he agreed.

“And it was all my fault,” she insisted.

“Was it?”

“I wanted to be big and brave when I was little. And again this autumn. Had I been content in myself, the falchion′s evil would have remained safe under earth and water. I loosed it upon the king.”

“He asked it of you.”

“But it was mine to say no.” She knew that now. Even a king might hear no in chosen moments.

“Then how will you bear your failure?” His eyes were kind, his voice warm, as though he saw her lack differently.

“I don′t know.”

“What of this?” he proposed. “Perhaps your opinion might focus not upon your error – a child′s error – but upon the moment of our redemption, when you cast evil into the heavens for divinity to act upon.”

She bridled at being named a child, and yet the justice of his statement calmed her. I am young, she admitted privately. Could she receive comfort from her atonement?

“Xavo has a good bit more to redeem, you know,” Max added.

“But that′s his task. This is mine.”

“Will you try?” Max took her hand.

She raised her chin.

“Really try?” he prodded.

“Yes. I will.” Somehow that promise shifted something. She wasn’t sure what, but she felt . . . clear. Lighter. Happy.

“Truly, I will.”

* * *

Part I, Blood Falchion, is here.
Read-Only Beauty, another flash fiction story, is here.
Mother’s Gift, also flash fiction, is here.

 

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A…Not Exactly Sad Story

art by Kay Nielsen depicting a queen in her gardenThere I was: smack in the middle of revisions on Livli’s Gift.

Mahde had slung his arm across Livli’s shoulders. Thoivra glared at them both. It was tense.

Then my computer screen went black. The fan shut off.

Hmm. This had happened 3 days ago. Being no tech expert, I let the laptop cool — it was very warm — and pushed the on button.

No go.

Again?

Ah! Happiness and light! The hard drive started spinning. The screen came to life. And the start-up process moved forward. I was back in business, getting Livli ready for publication.

I worked all Wednesday and all Thursday. One more day, and the revisions would be complete! Friday was the day!

Indeed, it was.

Friday was the day the computer screen went black, and no amount of button-pushing would change it.

My local, friendly IT shop couldn’t fit me into their schedule until Monday, and that was that. I toted the laptop to their premises, left it, noted the hollow feeling in my middle — no computer! eek! — and went home to devote myself to family and neglected household chores.

Come Monday morning: no word.

Monday afternoon: still no word.

Monday evening: nothing all day.

What happened?

As it chanced, vacation, in-shop miscommunication, and an avalanche of other clients pushed me into limbo. They more than made it up to me when they caught their glitch, so no hard feelings, but the news on Tuesday was dire.

There would be no resurection for my electronic necessity.

I’d known for a while that a new computer lay in my future. I hadn’t planned on that future arriving quite so immediately, but . . . the time was now.

Mere minutes after the fateful phone call I was in the car on my way to the store. Half an hour after that, I was home with a new machine. And that evening I viewed the carcass of the old machine while the IT gentleman transferred my files from the old hard drive to the new . . . not hard drive. (The new computer has a solid state form of memory with no moving parts. Like a giant flash drive. Cool!)

While we waited for files to transfer, I received a gratis tour of my new possession along with tips on Time Machine and Roku, plus the downloading of the latest OpenOffice software. Thank you, Jeremiah! It was a much-needed education.

So, now I was all set, right?

Not exactly.

I was all set for finishing the Livli revisions. And I’ve done so. My readers are checking the manuscript now. I hope to publish soon!

B-u-t . . .

That was a jouncy 5 days there. Days when none of my work got touched (let alone done). And I’ve still got clean-up to do, software to purchase.

Which means . . . this sad story is my blog post for the week! Perhaps the title should be: We Are Techno-Dependant!

Grin!

 

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