Nerine’s Youngest Sister

I cut four chapters from the middle of Fate’s Door.

It was a lot of fun hanging around on Mount Olympus with Nerine and her eldest sister Eilidh. It was even more fun joining Nerine and her youngest sister Agnippe on Mount Helicon.

But I was indulging myself. All that loitering with the Greek gods brought my story to a near stop. So I reduced those chapters to a series of brief vignettes.

But I suspect some of my readers might enjoy dallying within Greek mythology as much as I do.

For those of you who share that taste of mine, here is a part of chapter 19 that was cut from the final manuscript. 😀

19 ~ Agnippe and Mount Helicon

Amidst the chattering opulence of Hera’s handmaidens Nerine possessed neither intimacy nor solitude. And she’d never hankered for luxury.

Groups and clusters seemed the natural mode of the handmaidens. They never walked alone or even in pairs.

All except one.

That one loner was a brunette who wore her hair in a simple braid circling her head, and who chose gowns of pale gray or pastel blue rather than the popular variations on white. When the handmaidens gathered to brush one another’s hair, the brunette sought the fountain shrine to bathe alone. If the handmaidens danced in the meadow, she walked the forest paths. Alone.

Nerine was reluctant to interrupt her solitude. Nor was she certain she wanted to draw attention to her by asking someone. But she was curious about this young woman who didn’t seem to fit in. Why was she on Mount Olympus? What was her role?

Before Nerine could learn much, Eilidh suggested a visit to Agnippe.

“You’re so close,” she said. “What a shame to miss the chance!”

Nerine hadn’t realized Mount Helicon rose nearby. Was her knowledge of Hellene geography so poor? No, she’d forgotten that the winged horses brought locations closer. The ten-day trek to the glades of the muses would be a mere morning’s flight aback a pegasus.

The valleys around Mount Helicon were less wild than the ridges around Mount Olympus – featuring olive groves – and the snow was gone from its peak.

Nerine alit amidst grasses on the mountain skirts, where a group of youths wearing sheepskins slung over one shoulder awaited her. Were they shepherds from the local village?

“Welcome, numen!” said their spokesman. “We shall guide you to the sacred spring.”

This was the first evidence she’d seen of direct contact – rather than spiritual connection – between mortal and divine. The young men clearly knew their way, leading her through bushy laurel trees and tall elms. They spoke in a dialect unfamiliar to her, and cleared fallen twigs from the path as they walked.

The sacred spring issued from a cleft in a low cliff to fill a pool, rushes growing in its shallows, and ringed by crab apple trees and wild roses. The water was very clear, with dancing dapples cast by its motion across the spring bottom.

As Nerine approached, Agnippe rose from the depths to stand amidst the rushes – slender and girlish; not yet entered into full womanhood – water streaming from her pale skin. She wore a belt and pectoral fashioned from small plates of nacre, and the sun lit rainbows in their gleaming surfaces. Her tightly curled blonde hair had grown to hang past her hips. She was luminously beautiful.

The shepherd boys faded away, leaving Nerine alone with her sister.

Agnippe didn’t hesitate – despite her dampness. She leapt to the spring bank to wrap Nerine in glad arms.

“Nerine! Nerine! Oh, Nerine!”

Nerine burst into tears. Seeing Agnippe after so long, feeling Agnippe’s embrace – it overwhelmed her.

“I’ve missed you,” gasped Nerine. “I’ve missed you so much.”

Agnippe laughed tearily. “I’ve got your gown wet. I’m sorry.”

“Can I see your spring? Is it permitted, or–?” Or was only the spring’s guardian allowed to enter the water. Nerine had a sudden longing to be underwater with her sister as though they were both at home in the reef together.

Agnippe waved one hand in a gesture of welcome and smiled, dashing the tears from her cheeks. “Only my permission is needed, and you have it. Come in!”

Nerine slipped out of her gown and entered the water bare, as though she were a little girl, needing no garb save her own skin. The spring was very cold, with that strange edge to it that fresh water possessed, although this felt mellower than the fountain on Mount Olympus.

Minnows darted amongst the rushes in the shallows. A frog hopped, splashing.

The water deepened, and Nerine submerged. Her spiracles opened, and she could taste the spring: sweet and refreshing and with a slight mineral tang that appealed. Agnippe appeared by her side.

“Do you like it? Can you tolerate the freshwater?” She looked anxious.

“It’s lovely. I love it!” Nerine reassured her.

Agnippe wanted to show her everything about her diminutive domain.

The flag lilies growing on the far bank, the gleaming snails, the water-smoothed pebbles, the swimming trout, the crayfish and – best of all – the underwater cave that stretched back under the cliff, with twisting passages and varied chambers. In one, a torrent from the heart of the mountain turned the water frothy with bubbles. In another, a cleft in the rock admitted a shaft of strong sunlight, striking sparkles of gold and silver from the surrounding stone.

Agnippe’s possessions from home occupied the inmost chamber.

Nerine couldn’t help admiring Agnippe’s underwater mansion, but she was relieved when they returned to the outside pool and could see the sky again, its warm blue fractured by the moving surface of the spring above them. The darting fish made the pool feel lively, friendlier, than the cool beauty of the caves.

“Do you stay in the water all the time?” asked Nerine. She’d imagined Agnippe on land, surrounded by the muses, with only brief sojourns in the spring. Why else would Agnippe have required a trousseau as extensive as Eilidh’s?

“Of course not!” Agnippe sounded surprised. She started to explain, then stopped and took Nerine’s hand. “Nerine . . . I don’t want to pry –” she looked younger than she had when Nerine first set eyes on her sister emerging from the water, and her voice sounded uncertain – “but, what are you doing here? I mean –” her voice strengthened – “it’s lovely to see you, but you aren’t just visiting me, are you? You’re traveling far into the north with the intent to stay.”

Agnippe drifted forward to kiss Nerine’s cheek. “I want you to be as happy as I am.”

Uneasiness stirred in Nerine’s belly. How could she explain her decision to her sister? She couldn’t bear to rehash the events that had led up to it. She didn’t want to simply shut Agnippe out by not answering at all. She refused to lie.

Sighing, she attempted to gather her thoughts. “You felt a real calling to be guardian of this spring of inspiration, didn’t you?”

Agnippe nodded.

“And I know Eilidh longed to join Queen Hera’s entourage,” Nerine continued. “She seems . . . more certain, more . . . anchored than I’ve ever known her to be. Have you seen her? Since you settled here?”

“She’s who she was meant to be, I think,” agreed Agnippe.

“Yes, that’s it exactly.” Nerine sighed again. “I think that’s what you were hoping for me. Am I right?”

Agnippe’s face looked very solemn, but she didn’t speak.

“And you fear I am making a mistake.” Nerine squeezed Agnippe’s hand.

“Are you?” Agnippe’s voice was very low.

“I might be, but I don’t think so. I don’t feel the same kind of calling that you and Eilidh feel. Or Tyr.” Their brother definitely loved his Tyrrhenian Sea, loved caring for it, loved living in it. “But waiting at home to figure it out . . . wasn’t working for me. I had to leave!” That burst out of her more strongly than she’d meant it to.

“But why Scandia?” Now Agnippe sounded upset. “I’ll never see you! And what will you do, if you discover your true calling – something other than weaving – once you’re there? You’ll be stuck!”

Nerine wasn’t sure which of those concerns to address first.

“I won’t be stuck,” she insisted. “How would the norns be seeking a handmaiden unless the previous one had left?”

“You’re going to them without making a real commitment?” Agnippe sounded shocked, no doubt because her own commitment to her spring had been so immediate and intense.

“I don’t go lightly,” Nerine contended. “I shall learn all that they need me to, that I may fulfill my duties well. I shall give them the best that is in me. And I have some skill with textiles already.”

Agnippe’s brow wrinkled. “But . . .”

Nerine swirled her right foot in the cool water. “Eilidh is everything a handmaiden is meant to be, but some of the others . . . are not. Some are too intimidated by the divine presence. Some are there on Olympus for what they can gain for themselves. Some . . . may grow into their roles. But I doubt that all of them will stay to attend on Hera forever. Even our sister may one day wish for something different.”

“That’s true,” Agnippe assented. “But it’s a little different, isn’t it? Queen Hera must have more than three dozen handmaidens. The norns . . .”

“. . . will just have me,” finished Nerine.

Agnippe snorted. “You’ll never be a ‘just’ anything,” she said.

Nerine laughed. “Why, thank you!”

They hung in the water, silent for a moment, the golden dapples on the spring’s floor shifting below them.

“I see your point,” Nerine admitted. “I know nålbindning and embroidery. I am proficient with a ground loom.” She glanced at her sister. Was she revealing too much? Would Agnippe follow up with awkward questions?

No, Agnippe was merely listening – intently – interested in where Nerine was going with this, not worrying about details such as how her sister had learned to use a ground loom.

“I am careful and neat. But the norns will be teaching me . . . more than I can well imagine.” She shook her head. Weaving was one thing. Weaving fate? Something wholly beyond her experience. “If I were going to them with the intention to leave, I would be wronging them. But, Agnippe” – her voice cracked, ever so slightly – “I don’t think I will sort myself out for . . . years. If ever.”

Sudden strain shadowed Agnippe’s eyes.

“I believe I’ll be in Scandia for . . . quite some time.” Nerine squeezed Agnippe’s hand – still in hers – again. She hated to see her sister looking so worried for her and injected a jolly tone to her words. “I promise I’ll come visit you! And . . .” more seriously “. . . I do think that weaving fate with the norns is right for me. For now, even if not for ever.”

Agnippe nodded more slowly. “I think I see,” she said. “I just wish . . . you had an easier current to swim.”

Nerine sighed again, then became brisk. “So do I!”

They laughed together.

It was good – so good – to understand and be understood, to connect at depth with a friend – who also happened to be a sister.

* * *

For the next extra chapters from Fate’s Door, see:
The Nine Muses of Antiquity (Agnippe and the Muses)
Hera’s Handmaidens (Eilidh’s Farewell)

For the first extra chapter from Fate’s Door, see:
Update on Fate’s Door (Eilidh and Mount Olympus)

To purchase and read Fate’s Door: Amazon I B&N I iTunes I Kobo I Smashwords
 

 

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A Question for International Visitors

I’ve started using a “universal” link for the Amazon store. When you click on the link, it will direct you to the Amazon store that serves the country where you live. In theory.

What I want to know is this: does it do so in practice?

NASA image of the world

Why did I make this change?

As time passes, readers in more and more countries are finding my books and buying them. I was providing links to the Amazon store in each country where readers were finding my work. When this was a matter of 4 or 5 or even 8 different store fronts, that method made sense.

But now that I need to include links for 10 of the 13 Amazon stores, I suspect that picking through the long list of links is a pain for anyone who uses an Amazon that isn’t the first one on the list (Amazon.com) or the last one (Amazon UK).

I want finding and clicking a link to be super easy.

BUT…if the universal link does not work properly, then it is no good at all.

I know it works beautifully in the US. That’s where I live, so I can test it.

But does it work in the UK? Does it work in France? What about Germany? Or Japan?

If you buy your books from an Amazon other than Amazon.com, I’d love it if you’d try out the universal Amazon link on one of my books, note whether or not it directs you to the correct store, and then post a comment here to tell me what happened.

(Or email me – j dot neygrimm at yahoo dot com.)

All the links in this post – except two – are universal links to my books, so you can just click one. 😉

I’ll be so very grateful!

😀

Thank you!

 

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5 New Books!

5 New Titles

I read about the Liliana Nirvana technique more than a year ago, in August 2014, on the blog of SF author Hugh Howey.

The technique is simply described: release 5 new books on the same day or one after the other with little delay in between. The idea is to boost your visibility to readers. Howey said this about it: “You hit bookstore shelves with a handful of titles at once, and they prop each other up. They direct attention toward each other. They amplify your signal.”

I decided to try it, and I’ve been working continuously toward my own 5-title release since that day.

Now – more than 14 months later – my 5 new stories are finally available on Amazon! I’m thrilled, because I hit a patch in the middle of my preparations when I began to wonder if I’d ever pull it off.

I’ve priced each title at 99 cents for release week to give my most assiduous readers a chance at a deal. I’ll raise the prices on the longer works when the initial spate of sales slows.

Here they are for your reading pleasure. 😀

Hunting Wild200 pxYoung Remeya worships the forbidden horned god. A worship made taboo half a millennium ago. Performed still in secret by a few. Quietly tolerated by the king. Epic fantasy in which old beliefs and old loyalties clash with hidden magic in the Middle Ages of the god-touched North-lands.

Ebook at Amazon

Paperback at Amazon
 
 
 
 
 

Serpent web cover 200Once she stalked the duat by Ra’s side, carrying his light in her eyes and battling the monsters that assailed them. Now, tormented by confusion and her own fury, she longs to regain the unique powers which – inexplicably – elude her in captivity. In this mythic tale of pride and revelation, a fight beyond death delivers one last chance at redemption.

Ebook at Amazon

Paperback at Amazon
 
 
 
 

Glory web cover 200Caught in a cold and snow-shrouded wilderness, far from home, Ivvar confronts the woman he once cherished and an ancient scourge of the chilly woodlands in a complicated dance of love and death. Ivvar’s second chance at happiness – and his life – hang in the balance.

Ebook at Amazon

Paperback at Amazon
 
 
 
 
 

Fate's Door, web cover 200Secrets, like troubles, come in threes. Nerine, a sea nymph of the ancient world, knows too much about both. Love and coming of age in a mythic Mediterranean where the gods and goddesses of old shape history.

Ebook at Amazon

Paperback coming soon!
 
 
 
 
 

Amber cover 200When young Fae awakens in a locked and deserted castle, she remembers nothing. Who she is, where she comes from, none of it. A mythic tale of family and betrayal told with all the twists and moments of sheer joy that belong in epic fantasy.

Ebook at Amazon

Paperback at Amazon
 
 
 
 
 
 

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The Ancient Goths

When Nerine, the sea nymph protagonist of Fate’s Door, traveled across Europe in the 4th century BC, I needed to know who she would encounter on her journey.

The first part of her route along the Vardar through Macedonia (Paionía) was fairly simple. (The river was called the Bardarios then.) The Paíones living there had adopted the customs of their Hellene neighbors. Their architecture and dress were similar. They were said by the people of the time to be tougher and more hard-working than the southerners, that quality being the main difference between them.

The Keltoi of central Europe required more research, but there is a lot of information about these proto-Celts.

After Nerine crossed the Carpathian Mountains, she entered the lands of the Gutones. The information on the Gutones is much scarcer than I would have preferred.

Scandian Stone Circle

The Gutones lived in Poland along the Vistula River (the Istula, according to the ancient Greeks) and on the coast of the Baltic Sea. Early historians spoke of them as migrating south from Scandia (Sweden).

There are three potential spots discussed by more modern historians as origination points.

Götaland, or Gothland, a southeastern region of Sweden, provides a likely homeland for the ancient Goths. Equally possible are the lands along the river called Göta älv (the River of the Geats). And then there is the island named Gotland.

There seems to be no definitive answer, but what is certain is that these Scandinavian tribes arrived in Poland sometime before 750 BC and slowly spread southward and eastward, eventually arriving on the shores of the Black Sea.

Map  of Gothic Expansion

Jordanes, a historian of ancient Rome in the 6th century AD, wrote a comprehensive account of the Goths. He possessed Gothic ancestry and was eager to show that Goths came of a past as glorious as that of the Romans, so one must assume that some of his narrative is fictional. And in any case, his description of Gothic culture concerns the Goths of his time, rather than the Gutones of Nerine’s time, some thousand years earlier.

Today’s historians think that the Goths (or Gutes or Geats or Gutones – the ancients had many variants) did not come south and overwhelm the existing peoples living in northern Poland, but simply settled there peaceably, slowly assimilating their culture, as well as influencing it.

As the map above shows, by 334 BC (the year of Nerine’s journey), the Gutones had expanded their reach from the shore of the Baltic Sea along the Vistula River. I chose the island Gotland as their original homeland, and then started researching the Przeworsk culture of the people with whom the Gutones mingled.

Gutones settlement(The ancient Greeks used the term Gutones for the Goths, and thus I chose their term, rather than any of the other many variants.)

The Przeworsk peoples, and thus – likely – the Gutones as well, lived in small, unprotected villages of just a few houses and with a population of only a few dozen. They knew the technology for digging and building wells, so they did not have to live near water, but the Vistula River would have served as a natural conduit for trade.

Their houses were fashioned from logs and were usually set partially below ground level.

GutonesThe one photograph I could find – of a museum display – showed the people wearing more solid-colored clothing than the Keltoi, although the lady of the pair sports a skirt of “window-pane” plaid, while the gent possesses a more complex variant on the same pattern on his mantle.

I did find mention of colorful straps created by tablet weaving which were used to make straps and belts, and to edge garments. I also discovered that archeological evidence indicated that nearly every individual among the Gutones carried a comb in a pouch on his or her person and used it frequently to keep his or her long hair – worn loose or with the front locks pulled back in a bun – tangle free.

Taking all this and swirling it in my imagination, I came up with a peaceable people with a calm and disciplined character, practical and much less fiery than the Keltoi living south of the Carpathians.

Stone Circle in PolandThe people of the Przeworsk culture followed a tradition of erecting circles of standing stones, and these were used to conduct general assemblies in which decisions affecting the whole village or several villages were made.

The northerners from Scandia evidently possessed this tradition as well. They also shared the practice of erecting lone standing stones or menhirs.

Standing Stone in the Czech RepublicBut the purpose such stones served is much debated. Were they used in rites of sacrifice? Were they territorial markers? Were they elements of a complex ideology? Did they mark graves? Did they commemorate great heroes?

The later seems to have been part of the Scandinavian tradition. But I could find no definitive answer for the standing stones of Poland, merely that they form a remarkable part of the landscape.

One tradition the Gutones brought with them from the north was the burial mound. The Przeworsk culture before them cremated their dead, placed the ashes in an urn, and then buried the urn in a cemetary. The Gutones also favored cremation – although their funerary rites were not uniform – but they placed jewelry, glassware, pottery, fibulae, and their characteristic bone combs within the mound erected over the ashes of the dead.

Sulm valley tumulusSometimes a standing stone was placed atop the burial mound; sometimes a ring of them encircled it. When Nerine descends from the Carpathians, her first encounter with the culture of the Gutones is the sight of a burial mound in the forested foothills. Although, the season is autumn for Nerine, and the leaves of the beech trees, golden.

For more about the world of Fate’s Door, see:
Crossing the Danube
The Keltoi of Európi
Vertical Looms
Names in Ancient Greece
Warships of the Ancient Mediterranean
Calendar of the Ancient Mediterranean
Ground Looms
Lapadoússa, an isle of Pelagie

 

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Lugh and the Lunasad

Mercury by Hendrick Goltzius, 300 pixelsLugh or Lú was a Celtic god with a long pedigree. He was part of Irish mythology in pre-Christian Ireland, that is, the centuries before 400 AD.

But the Celts arrived in Ireland around 275 BC, bringing their culture and their religious beliefs with them, including Lugh.

The god’s name gives some indication of his journey through time.

The Celts in Gaul and Iberia called him Lugus. The syllable “lo” in Apollo may indicate some connection between Lugh and Apollo, especially because the Indo-European root word of leuk means “flashing light,” and Lugh is believed to derive from leuk.

Yet the meaning “flashing light” seems more likely to refer to lightning than the sun. Indeed, the Breton luc’h and the Cornish lughes both mean “lightning-flash.” (Lugh may have been a predecessor to the Norse god Thor.)

Of even more interest to me was the well-established fact that the Gaulish Lugus was considered by the ancient Romans to be the Gauls’ version of Mercury. Mercury was the patron god of commerce, contracts, eloquence, messages, travelers, and trade.

While the Gaulish Lugus was a master of all arts and oversaw journeys and business transactions.

Vercingetorix  throws down his arms at the feet of Julius Caesar

These mentions of Lugus and Mercury occurred during the time of Julius Caesar in the 1st century BC, roughly 280 years after the events in Fate’s Door. The thing is, while the ancient Greeks of the 4th century BC make mention of the Keltoi, they do not describe the Keltic religious beliefs. I was going to have to do some extrapolating.

My first decision: Lugh’s name. The western Celts in later periods seemed to move toward the ending sound of “g” as is given or “ch” as in chosen. How might the pronunciation of earlier Keltoi who moved east to settle have changed? Did they stay with the “k” sound from from leuk?

Lugus altar stoneSince I really had no true indication – I’d have to guess – I decided to stick with the name used in pre-Christian Ireland, Lugh, rhyming with Hugh. Perhaps we moderns might have spelled the name of my 4th century BC Keltic god as Leu. But I decided to keep it simple. So, Lugh.

There are many stories about Lugh in Irish mythology, but the one that caught my attention concerned Lugh and his foster mother Tailtiu. Tailtiu was the goddess who cleared the plains of Ireland for agriculture.

What if this were a very old story that traveled with the Celts as they left central Europe and was modified to relate to their new surroundings? I could imagine the myth as originating in the lands along the Danube river, where Lugh’s foster mother cleared the plains of what is now Hungary and Romania for agriculture.

Like the Hellenes who created lesser gods associated with local springs and valleys (in addition to their supreme Olympians), so did the Keltoi revere local features. And the most dominant nature goddess would have been Danu, the spirit of the mighty Danube river.

Therefore I mapped the story of the Irish Lugh onto the territories of the Keltoi.

In the 4th century BC of Fate’s Door, Lugh was fostered by Danu. Like the Irish Tailtiu, Danu was exhausted by her labor and unable to fight off the demons of blight and famine. Her son Lugh fought in her stead to preserve his mother’s legacy, but he was overcome and imprisoned. Yet just as the stalk of grain is cut down and springs renewed from the earth after its seed is planted, so does Lugh prevail. He rises to new strength after his capture, defeating the demons, and then presiding as sovereign over the agricultural cycle of fertility.

The Irish Celts celebrated Lugh in a festival that marked the beginning of the harvest season, around the beginning of August. This was the Lunasad, which included visits to nearby holy sites, athletic contests, dance, feasting, trading, and a ritual play enacting Lugh’s fight against the demons of blight and famine.

Hermes LogiosI decided that my Keltoi would celebrate a similar festival. As it happened that Nerine – the heroine of Fate’s Door – would arrive at the stronghold of the Keltic High King in early August, she would naturally participate in that festival. The dancing, the feasting, and the High King’s courtesy to her would delight Nerine, but one of the religious rites would disturb her deeply and propel her further along her inner journey.

Early in my research on the Keltoi, I learned of the connection between Lugus and Mercury and decided that a similar connection existed between Lugh and Hermes. Hermes, as the patron of orators, poets, athletes, invention, travellers and trade, would possess a similar affinity to Lugh. It also worked beautifully with my choice for Nerine to travel across Europe under the protection of an elite cohort of Hermes’ warriors.

For more about Nerine’s world, see:
The Keltoi of Európi
Vertical Looms
Names in Ancient Greece
Warships of the Ancient Mediterranean
Calendar of the Ancient Mediterranean
Ground Looms
Lapadoússa, an isle of Pelagie
Merchant Ships of the Ancient Mediterranean

 

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